In many parts of the country, spring is here, and a number of exciting exhibition opportunities await the eager art collector and enthusiast, including this from Diablo Fine Art Gallery in California.
Known for his veristic artworks of wildlife and more, Andrew Denman is as skilled as any artist working now. On view now at Walnut Creek, California’s Diablo Fine Art Gallery, “Spring Exhibition” will feature a number of outstanding works from Denman, including “Sparrow Study” — a piece that was begun in 2010 as part of the artist’s “Birds of Nowhere” series. Among the artist’s naturalistic drawings are a number of Denman’s acrylic paintings as well, a few of which are figurative in subject while many display birds, flora, and equine subjects.

Andrew Denman, “Sparrow Study,” graphite on Strathmore paper, 23 x 17 in. (c) Diablo Fine Art Gallery 2016

Andrew Denman, “The Grey Scale,” acrylic on board, 10 1/4 x 15 3/4 in. (c) Diablo Fine Art Gallery 2016

Andrew Denman, “Cock and Hen,” acrylic on board, 27 x 17 1/4 in. (c) Diablo Fine Art Gallery 2016

Via the exhibition webpage, “Denman primarily paints wildlife and animal subjects in a unique, hallmark style combining hyper-realism with stylization and abstraction. His dynamic and original acrylic paintings and drawings can be found in museum collections on two continents and in numerous private collections in the USA and abroad. His clear voice, unique vision, and commitment to constant artistic experimentation have positioned him at the forefront of an artistic vanguard of the best contemporary wildlife and animal painters working today.”
To learn more, visit Diablo Fine Art Gallery.
This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.


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