Inspired by the work of American traditional painters such as George Inness and Albert Bierstadt, Sergio Roffo is an accomplished painter internationally known for his stunning landscapes that evoke moods of calm and serenity.

The luminous works of renowned painter Sergio Roffo will soon grace the walls of the Guild of Boston Artists. In an exhibition opening December 5 and on view through December 24, Roffo will showcase a number of brilliant new pictures that collectors are sure to gobble up quickly. The artist is known for his stunning views of New England, and viewers will encounter more of the same beauty during this solo exhibition.

Sergio Roffo, “Sunset on the Moors,” 2016, oil on linen, 18 x 30 in. (c) The Guild of Boston Artists 2016
Sergio Roffo, “Sunset on the Moors,” 2016, oil on linen, 18 x 30 in. (c) The Guild of Boston Artists 2016

Speaking of his artistic goals, Roffo suggests, “My mission is trying to convey to the viewer the spirituality and sacredness of my work, indicating the harmony of nature through color and light. As artists, our creative goals will never be accomplished. We will always be students of nature, because nature does it so beautifully. We live each day passionately, others only dream of!”

For those who cannot make the exhibition opening, another tantalizing opportunity awaits. On December 17, the artist will be on hand at the gallery and will begin a demonstration at 2 p.m. To learn more, visit The Guild of Boston Artists.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.


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