Leave it to a Latin American master and Los Angeles to break Old Man Winter’s grip with a fresh dose of liquid dreams and reflections.

Only a few days remain for a significant solo exhibition at Bergamot Station in Santa Monica, California. All it takes is a quick glimpse of Latin American master Julio Valdez’s stunning paintings to forget all about water in its frozen, solid form.

Julio Valdez, “Las Terenas Abstraction V,” 2015, oil on linen, 52 x 74 in. (c) Latin American Masters, 2016
Julio Valdez, “Las Terenas Abstraction V,” 2015, oil on linen, 52 x 74 in. (c) Latin American Masters, 2016

On view through December 17, “Dreams and Reflections” (which takes its title from Carl Jung’s Memories, Dreams, Reflections) is a remarkable display of Valdez’s ability to harness the phenomenon of refracted light with paint and brush. Completed over the past three years, “Dreams and Reflections” presents several of Valdez’s newest oils, which display a variety of figurative and narrative subjects immersed beneath the rippling surfaces of water. In addition to being visually compelling, the works “simultaneously reflect an inner world informed by the artist’s personal and collective history,” the gallery writes.

Julio Valdez, “Celestún II,” 2016, oil on linen, 58 x 78 in. (c) Latin American Masters, 2016
Julio Valdez, “Celestún II,” 2016, oil on linen, 58 x 78 in. (c) Latin American Masters, 2016

Continuing, “[The paintings] are inspired by Valdez’s varied travels, including a visit to the Celestún Biosphere Reserve in Mexico’s Yucatan Peninsula. Among the exhibition’s highlights is ‘Celestún II,’ depicting a diver submerged beside the anchor line of an unseen boat. The anchor line disappears into the ocean depths, far below the diver’s refracted image. The painting’s tensions resonate in the disappearing anchor line, the instability of the diver’s image and a sense of isolation and vulnerability reinforced by the unseen boat.”

Julio Valdez, “Cayo Arenas Abstraction,” 2016, oil on linen, 41 x 42 1/2 in. (c) Latin American Masters, 2016
Julio Valdez, “Cayo Arenas Abstraction,” 2016, oil on linen, 41 x 42 1/2 in. (c) Latin American Masters, 2016

To learn more, visit Bergamot Station.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.


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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.

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