Are You A ‘Glorious Survivor’?

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Jane Jones, “Tenacity,” oil on canvas, 18 x 17 in. (c) Bonner David Galleries 2017

Stunning still life paintings by this amazing female artist will embellish the walls of Bonner David Galleries in Scottsdale, Arizona, beginning today through February 1. Who is the creator of these glorious survivors?

Featuring a stunning array of floral still life paintings at Bonner David Galleries is accomplished artist Jane Jones. On view from January 19 through February 1, “Glorious Survivors” showcases Jones’ tightly rendered floral still life paintings along with other natural and manmade objects. “Every canvas tells a story,” Jones says, “and each flower represents survival, not only as a plant, but for what that strength portrays about the human condition.”

Jane Jones, “Beautiful Soul,” oil on canvas, 34 x 19 in. (c) Bonner David Galleries 2017
Jane Jones, “Beautiful Soul,” oil on canvas, 34 x 19 in. (c) Bonner David Galleries 2017
Jane Jones, “Survivors,” oil on canvas, 68 x 43 in. (c) Bonner David Galleries 2017
Jane Jones, “Survivors,” oil on canvas, 68 x 43 in. (c) Bonner David Galleries 2017
Jane Jones, “Tenacity,” oil on canvas, 18 x 17 in. (c) Bonner David Galleries 2017
Jane Jones, “Tenacity,” oil on canvas, 18 x 17 in. (c) Bonner David Galleries 2017

A special artist reception will be held this evening from 6-9 P.M. at the gallery.

To learn more, visit Bonner David Galleries.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.


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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.

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