Crowds peruse Andrea Kowch’s viewing room.

It was an atmosphere unlike any other as many attended RJD Gallery’s highly anticipated reopening after its devastating December 2016 fire. Just in case you missed it, we’ve got you covered.

Hundreds attended the grand re-opening of RJD Gallery in Bridgehampton, New York, this past Saturday evening, March 25. The opening marked a major point of celebration for the gallery’s owners and roster of esteemed artists as their original Sag Harbor location was destroyed by fire in December 2016.

(Left to right) Ron Saleh, Edward Wilkerson, and Phillip Thomas with gallery director Eve Gianni Corio and owner Richard J. Demato in front of Thomas’ painting “Exit”
(Left to right) Ron Saleh, Edward Wilkerson, and Phillip Thomas with gallery director Eve Gianni Corio and owner Richard J. Demato in front of Thomas’ painting “Exit”
(Left to right) Sculptor Hans Van de Bovenkamp with artists April Gornik and Nathan Slate Jacobs in front of Veronique Guerrieri’s piece “Lapinou”
(Left to right) Sculptor Hans Van de Bovenkamp with artists April Gornik and Nathan Slate Jacobs in front of Veronique Guerrieri’s piece “Lapinou”
(Left to right) Kristen Peterson, Danielle Wilson, gallery director Eve Gianni Corio, Gretchen Comply, and Laura Molinari Tarbet
(Left to right) Kristen Peterson, Danielle Wilson, gallery director Eve Gianni Corio, Gretchen Comply, and Laura Molinari Tarbet
Dan Gasby and Joyce Jackson
Dan Gasby and Joyce Jackson

It’s amazing to think about where the gallery was just a few months ago and seeing it now. By January, the gallery was already meeting with its insurance company, continuing remote operations for the inventory that survived, searching for a new location, and beginning to plan to breakground. Speaking to the Sag Harbor Express, gallery owner Richard J. Demato suggested, “It is a rebirth and a revival. We had to make a decision. Do we stop or do we go? We made that decision the same day of the fire. We went and sought new spaces; we worked out of my home for a while; we aggressively went out and went after new art. We had to.”

Tomas Hill with artist Dinah Delfin and friends with Pamela Wilson’s painting “Did the Harebell Lose her Girdle?”
Tomas Hill with artist Dinah Delfin and friends with Pamela Wilson’s painting “Did the Harebell Lose her Girdle?”
Jennifer McSweeney and Tripoli Patterson with Andrei Zadorine’s painting “Class Reunion II”
Jennifer McSweeney and Tripoli Patterson with Andrei Zadorine’s painting “Class Reunion II”
A look down from Andrea Kowch’s viewing room above
A look down from Andrea Kowch’s viewing room above

Continuing, Demato reported, “The space is much more serene because it’s much larger. It’s nice and clean and bright. We always loved sculpture, but never had the room. Also, in most of the galleries out here, you can’t step back from the piece enough. It gives it a better perspective and you feel more comfortable making the purchase because you’re more aware of the art rather than the small space. Several people have told me there’s more of a museum feeling here.”

To learn more, visit RJD Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.


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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.

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