John Kuhn, “Blue Hippo,” acrylic on canvas, 24 x 28 in. © Strecker Nelson West Gallery

Strecker Nelson West Gallery invites you on a journey to the big, bad, mad, beautiful, and amazing world we inhabit through the creative vision of several accomplished representational painters. Are you up for the trip?

Artistic visions of new and old worlds abound during “Other Worlds,” a group exhibition of still life and landscape at Strecker Nelson West Gallery in Manhattan, Kansas. Featuring over 120 paintings, “Other Worlds” displays work by Michael Albrechtsen, James Borger, Aaron Morgan Brown, Kim Casebeer, Louis Copt, Debi Cox, Mark Flickinger, Clive Fullagar, Lisa Grossman, Rebecca Hoyer, John Hulsey, John Kuhn, Sharon McCoy, Susan Lynn, Devin Roberts, Chris Willey, and several others.

Michael Albrechtsen, “Sun Deep,” oil on canvas, 20 x 24 in. © Strecker Nelson West Gallery
Michael Albrechtsen, “Sun Deep,” oil on canvas, 20 x 24 in. © Strecker Nelson West Gallery
Aaron Morgan Brown, “Omegaville,” oil on panel, 30 x 22 in. © Strecker Nelson West Gallery
Aaron Morgan Brown, “Omegaville,” oil on panel, 30 x 22 in. © Strecker Nelson West Gallery
James Borger, “A View to an Idyllic Calm,” acrylic on canvas, 24 x 24 in. © Strecker Nelson West Gallery
James Borger, “A View to an Idyllic Calm,” acrylic on canvas, 24 x 24 in. © Strecker Nelson West Gallery
Doloris Pederson, “Fishing Boats Village of Hoorn,” oil, 36 x 48 in. © Strecker Nelson West Gallery
Doloris Pederson, “Fishing Boats Village of Hoorn,” oil, 36 x 48 in. © Strecker Nelson West Gallery

“Other Worlds” opened on April 7 and continues through May 20. To learn more, visit Strecker Nelson West Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.


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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.

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