Dinah Worman, “Barns & Cows,” oil on canvas, 24 x 48 inches

A beautiful array of fresh landscape paintings by this female master are currently hanging through August 1 in an esteemed Colorado gallery. Will you be a lucky viewer?

Award-winning artist Dinah Worman is currently showcasing several of her newest landscapes at Ann Korologos Gallery in Basalt, Colorado, during “America at Heart: From Above.” On view through August 1, the solo show is a continuation of Worman’s “exploration into stacked landscape compositions as well as works that give the viewer an up-close perspective of what lies within the landscape,” the gallery reports. “Light filters through the trees and streams and between the clouds. [Worman] is able to retain this vitality because she is continually renewing her vision.”

Dinah Worman, “Summers End,” oil on canvas, 30 x 30 inches
Dinah Worman, “Counting Cows in the Landscape,” oil on canvas, 40 x 30 inches

Discussing her work, Worman notes, “I work to press beyond method and into a flow of creative instinct; using pastel, oil, acrylic, or printmaking to express myself with unusual compositions and expanding vision. My interpretation is more important to me than the object itself. You realize that your wisdom is coming from some subconscious place rather than from copying something else. I want to do work that, though rooted in reality, is more and more conceptual.”

To learn more, visit Ann Korologos Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.


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