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Barbara Rudolph presented by the Celebration of Fine Art

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Poetry in Motion by Barbara Rudolph
24 x 40 in.
Oil
$4,800

Barbara’s realistic oil paintings tell a story. They are unique, thought provoking and often have a sense of humor. Paying special attention to detail, her subjects include a birds, sports, music and wildlife. “I desire to create something of beauty to uplift the human spirit. My oil paintings capture a moment in time or a fond memory that will surely bring a smile to your face. The process begins by photographing birds or other animals, but often placing them in unexpected places as opposed to their natural habitat. Once the ideas begin to flow, I carefully craft each scene. The story slowly reveals itself and comes to life on the canvas. When people look at my paintings, they are often drawn to the extreme detail and beauty of my wildlife subjects. They feel a sense of attachment to the piece because of the emotion it evokes within them.” Barbara resides in Phoenix, Arizona.

You can find Barbara and her work, along with 100 other artists, at the Celebration of Fine Art in Scottsdale, Arizona, January 16 – March 28, 2021. Contact 480-443-7695 or [email protected].

View more of Barbara’s work at: https://celebrateart.com/meet-the-artists/barbara-rudolph/

William Blake: Visionary

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Art books - William Blake: Visionary

The J. Paul Getty Museum (Los Angeles) was set to present a major exhibition about the British artist William Blake (1757–1827), but that has been postponed. Fortunately, its catalogue, William Blake: Visionary, is available from Getty Publications, prepared by the Getty’s own Edina Adam and Julian Brooks and the Yale Center for British Art’s Matthew Hargraves.

From the Getty:

Celebrated for his boundless imagination and unique vision, Blake created some of the most striking and distinctive imagery in art, often combining his poetry and visual images on the page through innovative graphic techniques. He has proven an enduring inspiration to artists, musicians, poets, and performers worldwide and a fascinating enigma to generations of admirers.

Featuring over 130 color images, this catalogue brings together many of Blake’s most iconic works. Organized by theme, it explores Blake’s work as a professional printmaker, his roles as both painter-illustrator and poet-painter, his relationship to the medieval, Renaissance, and Baroque artists that preceded him, and his legacy in the United States. It also examines his visionary prophetic books, including all eighteen plates of America: A Prophecy.


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Birds in the Spotlight

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Timothy David Mayhew (b. 1952), ”On Ice,” 2019, oil on linen, 16 x 20 in., collection of Christopher G. Lea

The Leigh Yawkey Woodson Art Museum will soon open its 45th annual Birds in Art exhibition. A total of 510 artists from around the world submitted 830 works for the three-person jury’s consideration. In the end, only 114 artists will participate.

Timothy David Mayhew, who has been named the 2020 Master Artist and will be the focus of a solo retrospective within the larger exhibition; 22 others who have been honored as Master Artists during previous exhibitions; and 91 additional artists selected for their paintings, sculptures, and graphics created within the last three years.

All will be illustrated in the 134-page catalogue that accompanies the show.

Mayhew was first selected to exhibit in Birds in Art in 2010 and has been juried in nine times since. He is well known internationally for researching and reviving various Old Master techniques, including the natural, quarried chalks that many Renaissance artists used to draw. Every year Mayhew embarks upon intensive study of a new bird or mammal species, a passion he refined while studying with the master animal painter Bob Kuhn (1920–2007). His sensitive treatment of landscape captured in plein air stems in part from subsequent studies with Clyde Aspevig and Matt Smith. Today Mayhew runs the Atelier Cedar Ridge in Farmington, New Mexico.

Walter T. Matia (b. 1953), ”No Country for Old Frogs,” 2018, bronze (edition of 10), 41 x 18 x 14 in., collection of the artist; photo: QuickSilver, Takoma Park, Maryland

Event Details: “Birds in Art”
Leigh Yawkey Woodson Art Museum
Wausau, Wisconsin
lywam.org
On view through November 29, 2020


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September 12: The Russell Exhibition and Sale

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Charles M Russell (1864-1926), "Following the Buffalo Run," c. 1894, oil, 23 1/8 x 35 in.

The Russell Sale will proceed on September 12, 2020 using online auction platforms with telephone and absentee bidding options available as well. The First Strike Auction will begin at 10 a.m. MDT, followed by the Russell Sale at 1 p.m. MDT. Crowd favorite Art in Action will be a silent auction online with video spotlights of each artist available for patron viewing.

Eanger Irving Couse (1866-1936), “Indian by Firelight,” oil on canvas, 24 x 29 in.

“This certainly isn’t the way any of us envisioned The Russell for this year but we look forward to offering all the incredible art included in the catalogue for sale in September and giving buyers a variety of ways to bid remotely, including multiple online platforms, absentee, and phone bidding,” said Christina Horton, a representative of the museum. “We are working with our auctioneer, Troy Black, to make this year’s auction just as exciting as ever so you can enjoy it from the comfort of your own home.”

Joseph Henry Sharp (1859-1953), “Call of the War Chief,” oil on canvas, 30 x 36 in.

To view the auction catalogue and register to bid, please visit cmrussell.org/the-russell.

Charles M Russell, “Woman Petting an Unsaddled Horse,” pen and ink, 8 x 9 in.
Charles M Russell, “Indian on Horseback,” 1898, oil, 13 3/4 x 10 1/2 in.
Joseph Henry Sharp, “The Bonnet Maker,” c. 1920s, oil on canvas, 15 x 18 in.
Thomas Moran (1837-1926), “Green River in Wyoming,” 1899, oil on canvas, 10 3/8 x 14 in.

About the Russell Museum:
The mission of the C.M. Russell Museum is to collect, preserve, research, interpret, and educate on the art and life of Charles M. Russell; the art and lives of his contemporaries; and the art of preceding and ensuing generations that depicts and focuses on the culture, life, and country of Russell’s West.​


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Same Quest, New Format

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Heide Presse, “Tall Tales,” 2020, Oil on linen panel, 40 x 30 inches
Heide Presse, “Tall Tales,” 2020, Oil on linen panel, 40 x 30 inches; [Artwork images are courtesy of the artists and of the Eiteljorg Museum.]

The Eiteljorg Museum of American Indians and Western Art will feature an all-new virtual format during its 15th annual Quest for the West® Art Show and Sale, September 11-12, 2020.

The Quest for the West® Art Show and Sale will feature nearly 200 new artworks by 50 of today’s top artists specializing in Western-inspired paintings, landscapes, and sculptures. Instead of the traditional on-site, in-person sale, the Eiteljorg this year will host the new online sale format, where collectors will view the available artworks online, enjoy personalized concierge service and then place their bids during the fixed-price, luck-of-the-draw virtual sale.

Gladys Roldan-de-Moras
Compañeros, 2020
Oil on linen
36 x 24 inches

In previous years, Quest for the West® included a gallery exhibition, two evenings of socializing between artists and collectors, a catered banquet that often drew nearly 300 guests each year and an awards ceremony.

“Since its inception in 2006, Quest for the West has built support for the genre of Western art; and collectors and artists look forward to it at the Eiteljorg each year,” Eiteljorg President and CEO John Vanausdall said. “The museum follows all state and local public health guidelines during the pandemic, and since it was impossible to know exactly what the circumstances will be in September, we concluded we would marshal our efforts to creating this exciting virtual version of Quest.”

George Hallmark
Bebiendo Amigos (Drinking Buddies), 2020
Oil on linen
24 x 30 inches

Quest for the West always has received bids from absentee bidders even when it was an on-site sale; and this year, all registrants get to bid absentee. With the new format, the registration fee to enter the online sale and place bids is $25, an affordable price for first-time bidders who are starting their art collecting journey, or seasoned collectors seeking the right piece. All registrants will have access to an Eiteljorg concierge service that can assist them with bids and other questions.

The Quest Miniature Art Sale on September 11 is also a fixed-price, luck-of-the-draw virtual sale, featuring smaller paintings and sculptures by the same Quest artists.

A popular feature of Quest for the West is returning in virtual form: the Quest Miniature Art Sale, held Friday, September 11. For this sale, the artists create smaller, more affordable versions of their paintings and sculptures, which are prized both by new collectors and by experienced collectors who have no more room for large pieces and want something smaller.

David Grossmann
Pasture under Glowing Sky, 2020
Oil on linen panel
30 x 40 inches

The Eiteljorg is planning various digital extras that Quest registrants can enjoy leading up to and during sale weekend, including interviews with artists, virtual cocktail chats, and other online events.

“We at the Eiteljorg take pride in bringing together top artists and enthusiastic collectors of Western art, and are committed to making this year’s Quest very engaging and successful,” Vanausdall added.

Rox Corbett
After the Dance, 2020
Charcoal on archival paper
30 x 24 inches

Shifting the format means two parts of Quest for the West will be postponed to next year’s event. The guest speaker, Academy Award-winning actor Wes Studi (Cherokee), who has appeared in the films Dances with Wolves and The Last of the Mohicans, instead will be the special guest at the 2021 Quest. Also, a special on-site exhibit of Quest artworks that were past winners of the annual Harrison Eiteljorg Purchase Award is postponed to 2021. The Eiteljorg Museum plans to resume its regular format for Quest for the West next year, if the social distancing restrictions allow.

Mian Situ
Lantern Festival, 2020
Oil on canvas
26 x 20 inches

2020 Quest for the West Participating Artists
(*Asterisk: sculptors)

Gerald Balciar*
John Buxton
G. Russell Case
Bruce Cheever
Tim Cherry*
Rox Corbett
Brent Cotton
Glenn Dean
Steve Devenyns
Mikel Donahue
Michael Dudash
Barry Eisenach*
Josh Elliott
John Fawcett
Deborah Copenhaver Fellows*
Robert Griffing
David Grossmann
George Hallmark
Karin Hollebeke
Donna Howell-Sickles
Doug Hyde* (Nez Perce/Assiniboine/Chippewa)
Greg Kelsey*
Mark Kelso
Bruce Lawes
Curt Mattson*
Joseph McGurl
Krystii Melaine
Dean Mitchell
Denis Milhomme
Jay Moore
Paul Moore
John Moyers
Terri Kelly Moyers
Brenda Murphy
Rock Newcomb
P.A. Nisbet
Robert Peters
Howard Post
Heide Presse
Scott Rogers*
Gladys Roldan-de-Moras
Roseta Santiago
Dave Santillanes
Sandy Scott*
Mian Situ
Adam Smith
Daniel Smith
Nathan Solano
Michael Untiedt
David Wright

Mark Kelso
Tearin’ It Up, 2020
Oil on panel
36 x 48 inches
Winner of the 2020 Harrison Eiteljorg Purchase Award
Krystii Melaine
Tsemehot-o – The One I Love, Cheyenne, 2020
Oil on linen panel
44 x 22 inches
Joseph McGurl
Procession, 2020
Oil on linen panel
12 x 24 inches
Gerald Balciar
Prickly Pear, 2020
Bronze
20 x 14 x 6 inches
Dean Mitchell
For Freedom, 2020
Watercolor
30 x 22 inches

Learn more details at eiteljorg.org.


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Il Paradiso: Imagining the Eternal

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Brooks Frederick, "Black Iso," 2020, oil on canvas, 8”x10”

Juried and curated by Peter Gynd, Margaret Krug, Peter Trippi, and Jimmy Wright, the New York Artists Equity Association presents the exhibition “Il Paradiso: Imagining the Eternal.”

From the gallery:

As we continue to bear witness to a suffering world torn asunder by contagion and the seeming worst of human failings, the need for some relief, specifically aimed to soothe our troubled souls, becomes paramount. It is to this calling that Equity Gallery stages a juried exhibition of artworks that aspire to a paradisiacal idyll, a higher place of virtuous delight – an eternity untainted.

As an ensemble, “Il Paradiso’s” collection of artworks, with a focus on flowers, botanicals, and the untamed wilderness both within and without, offers a powerful and seductive display of decorative effects and archaic symbolism that signify prosperity, rebirth, healing, and love itself. As such, “Il Paradiso” functions as a repudiation, commentary, and a reprieve from the follies of our current anthropocene age. Our world and our time, as did the world and its times of crisis before us, needs a bit of heaven and a lot more love. “Il Paradiso” offers us a glimpse.

Iris Hu, “On Earth We’re Briefly Gorgeous,” acrylic on canvas, 24”x48”, 2020

Il Paradiso: Imagining the Eternal
September 10th — October 3rd, 2020
Outdoors Opening Reception: Thursday, September 10th, 6 — 8 PM at 245 Broome St., NYC (​The opening reception will have limited viewing sessions. All attendees are required to wear masks and adhere to the NY State Social Distancing guidelines.)

Artists: ​Pamela Casper, Won Young Chang, Carlo Cittadini, Kathy Creutzburg, Karen Kertesz-Sklar, Camilla Fallon, Brooks Frederick, Iris Hu, Alison Kudlow, Christina Massey, Julianne Nash, Daniel Peddle, Madara Tropa, Evie Woltil Richner, Constance N. Stancell, Susan Stillman, Natasha Zeta

Christina Massey, “Clairaperennial 1,” Hand blown glass, repurposed aluminum, copper, plastic, wire and enamel paint, Approx 24” x 18” x 17”, 2019
Daniel Peddle, “Empty Lot with Rose Bush and Wall,” watercolor, acrylic, tempera, gouache, latex, frisket, and graphite on cradled wood panel, 18” x 24”, 2015
Carlo Cittadini, “AV Pond Nymph,” oil on canvas, 40” x 30”, 2020
Susan Stillman, “Backyard, Pink Sky,” acrylic on canvas, 30” x 20”, 2018
Karen Kertesz-Sklar, “Athena,” cyanotype print, 8” x 10”, 2020

For more details, please visit nyartistsequity.org.


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Realism Live virtual art conference

Friday Virtual Gallery Walk for September 4, 2020

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Friday Virtual Gallery Walk

As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this new “Virtual Gallery Walk.” Browse the paintings below and click the image itself to learn more about it, including how to contact the gallery.

City Morning by Catherine Hillis, Watercolor, 29 x 21 in.; Anderson Fine Art

 

Cypress Cove Dance by Kim Lordier, Pastel on Archival Board, 12 x 9 in.; Rieser Fine Art

 

Falling in Love by Ekaterina Ermilkina, Oil on Canvas, 36 x 36 in.; Bluestone Fine Art Gallery

 

 

 

Ptolemaic Theory by Mitsuru Watanabe (born 1953), Oil and gold leaf on canvas, 46 x 46 in., Signed; Rehs Contemporary

 

Une Riviere aux Environs d’Abbeville by Eugène Louis Boudin (1824-1898), Oil on canvas, 21 5/8 x 18 1/8 in., Signed; Rehs Galleries, Inc.

 

Dreaming Of DC by Kim VanDerHoek, Oil on Panel, 24 x 30 in.; Principle Gallery

 

Vintage Mark: Traditional Bow Hunter by David Wissman, Oil on Canvas, 36 x 60 in.; Vermont Artisan Designs

 

Rock All Night by Connor Liljestrom, Oil and Mixed Oil Media on Linen, 80 x 91in; New West Fine Art during Jackson Hole Fall Arts Festival

 

Bright Morning by Philip Koch, Oil on Canvas, 36 x 54 in., 2019; Somerville Manning Gallery

 

Sea Breeze by Maria Marino, Pastel, 12 x 16 in.; The Artful Deposit

 

Benham Falls, Oregon by Linda Wilder, Acrylic, 36 x 36 in.; Bronze Coast Gallery

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today – don’t delay, as spaces are first-come first-serve and availability is limited.

Featured Artwork: Lisa Kovvuri

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Elements
Oil on aluminum
24 x 20 in.

Portrait artist Lisa Kovvuri has released another work from her new series of portraits: Beyond Appearances.

Building on the success of her most recent solo exhibition, The Portrait Experience, at the Whistler House Museum of Art, Lisa Kovvuri is taking the genre of portrait painting to a personal level. Beyond representing a likeness, her new series serves as a catalyst for making connections and getting at the heart of what it means to be human. She’s taking a hiatus from painting commissioned portraits to embrace her desire to paint people in a context that can address the emotional and psychological experiences we all share.

“In this series my focus is on emotional presence more than a person’s identity. The sitters inspire ideas about states of mind and emotional moments we can all recognize. I see these portraits as a kind of mirror of humanity. The models I’ve recruited represent a diverse range of backgrounds and cultures. I’m particularly drawn to people who I don’t typically encounter in my usual circles, people I can learn something from. Painting them bridges a gap for me. It cultivates empathy, and that’s an important personal aspect of my work.”

Although the new portraits strive to go beyond appearances, they depict appearances in a remarkable way. Departing from the more impressionist-leaning approach of her earlier work, these emphasize sculptural form, texture, intricate detail and attention to surfaces, offering viewers a much more intimate experience of the subject’s presence.

“That feeling of intimacy is important to me. I want people to be able to get up close and engage their senses, to feel free of barriers that may otherwise be there in real life.”

Although just a handful of works have been released so far, these paintings are already creating a stir on the show circuit and garnering awards, most notably the Portrait Society of America’s 2020 International Portrait Competition in which her painting Sunday Morning received a Select 50 designation. Another, entitled Blue, was chosen as a finalist in the Portrait Society’s Members Only Competition in December, 2019. The Whistler House Museum of Art’s Whistler Award and The Salmagundi Club NY Ridgewood Art Institute Award were also presented to Lisa for Sunday Morning in 2019.

Paintings in the Beyond Appearances series are released through Lisa’s e-newsletter. Sign up to get a first viewing of each new portrait fresh from the easel, and updates on when and where to see them on exhibition. See more of Lisa’s work on her website, and get sneak peeks behind the scenes and of works in progress by following @lisakovvuri on Instagram and Facebook.

Turning Lemons Into Lemonade

Watercolor portrait paintings
Yong Chen (b. 1965), "My Father," 2019, watercolor on paper, 9 x 12 in., on view in the 100th International Open Exhibition of the National Watercolor Society

From the Fine Art Connoisseur September/October 2020 Editor’s Note:

Turning Lemons Into Lemonade

These are extraordinary times, and we hope that you and yours are staying safe, healthy, and productive. My colleagues and I believe that you will find inspiration while exploring the bumper crop of articles in this issue, and we look forward to receiving your feedback whenever you have some.

Fine Art Connoisseur magazine
Scott Ponemone (b. 1949), “M & P: 1st Pandemic Pair” (detail), 2020, watercolor on paper, 32 3/4 x 18 1/4 in. (overall), on view in the National Watercolor Society’s 100th International Open Exhibition.

I was recently reminded of artists’ impressive creativity and adaptability when I received an upbeat e-mail from Karen Blackwood. She wrote that the “small painting campaign I’m pursuing is drawing lots of collectors who are eager to buy, but in smaller 6 x 8-inch sizes. I even had one collector ask to buy one sight unseen because they are so popular; they were selling within minutes of my newsletter going out. Lately I had been feeling a lack of focus, as have many other artists, so these small unframed studies have helped me keep my creative juices flowing in a scaled-down format and will then serve as studies for larger pieces.”

Naturally I congratulated Karen on her initiative, and I mention it here as further evidence that the anxiety and economic upheaval caused by the pandemic need not discourage us from pursuing the positive strategies that remain in our wheelhouses. This pertains both to true artists — who should always express their aesthetic visions without constraint — and to true collectors, who always seek out beauty and inspiration whatever the economic circumstances may be.

Some call this turning lemons into lemonade, and however you describe it, it’s a fact that visual artists are unusually well positioned to weather the storms that have beset the world. There are plenty of challenges, to be sure, but what an advantage to focus on the next project in one’s own studio, perhaps even to pursue creative possibilities that had to be pushed off previously because there were too many distractions. Please rest assured that there are still plenty of admirers and buyers out there rooting for you.

We are eager to see what’s coming out of artists’ studios this year, and one key example appears on the cover of this issue. How much more “of this moment” could Scott Ponemone’s depiction of two masked ladies be? Many thanks, as ever, for your encouragement and collegiality.

P.S. Heads up… We have some recurring names in this issue. Historic Master Emilio Sanchez and Today’s Master Sandra Sanchez are unrelated by family connections. Ditto for Today’s Master Mario Moore and the author of the article about him, Charles Moore. Happy coincidences!

Fine Art Connoisseur magazineDownload the September/October 2020 issue here, or subscribe to Fine Art Connoisseur today so you never miss an issue.


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Featured Artwork: Karen Ann Hitt

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Comes Into The Light by Karen Ann Hitt
Oil
37 x 43 in. framed

Karen Ann Hitt’s Comes Into The Light is one of two of her winning paintings in the 9th annual Plein Air Salon monthly competition, winning the Best Oil award.

“The sense of space, which is the biggest form in a landscape, is worth five times that of any other quality” –John F. Carlson, one of two quotes you will find posted on the Artist’s easel as she paints.

Comes Into The Light the title may also be found in the Red Letters of John 3:21. This painting painted during a season that a pandemic rocked our world, and while working on this piece Karen Ann received word that a dear friend had passed away, way before their time. Therefore, the painting is an intense reflection and seeking of reflecting peace, majesty, wonder, and that sense of space in real time; back to a great peace, as imagining that truth while painting Comes Into The Light.

Sharing this complete image of the framed painting, to illustrate this artist’s commitment to the collector, and just how much each painting is invested in for them. Not only in the finest archival quality supplies, also in each Gallery delivered painting by Karen Ann Hitt is delivered in their Signature Frame; custom and handmade in the USA by Travis at Gold River, specifically for each ‘An Original Hitt’ painting. These Signature An Original Hitt frames are years in the making. They came about from a unique opportunity.

Honored with an opportunity to hand deliver an Edgar Payne original landscape cross country for a dear friend; as was traveling their way, this really was one of the safest and most convenient ways to transport this work of art. When it was unwrapped at the end of the journey, not only did the amazing painting stand out by its masterful work, but also the frame was a part of the masterpiece. It is not often you get to see the back side of masterpieces, and being with this one as it was unwrapped to re-hang in the home, could see on the back of the frame, that its frame was made exclusively and specifically for this Edgar Payne Painting, by the writing on the back. That absolutely amazed this artist that this was done several decades ago and became a part of the painting. That impression stuck. Now that my works have matured to the collectable stage of being featured, and as prepared paintings for the Gallery; after working months on paintings, frankly, didn’t want to just stick them in an ‘acceptable’ frame. The frame, in reality; though should never take away from the painting, the frame finishes the painting for presentation. It also illustrates the respect the Artist has for their collectors, not only for their painting. When first working on a signature frame with Travis, we hadn’t intended to literally make a ‘signature’ frame. My first concern was to be sure that didn’t come across as being too haughty. The graphics in this Artists signature, truly lends itself to a unique and signature corner to a frame. That in turn is how it literally framed itself out to be. So in respect, wanted to present Comes Into The Light in its full Signature framed presentation. Making ‘An Original Hitt,’ exactly that in every way; a signature, unique, valuably timeless investment by the Artist, for the collector. Meant to be a thank you for all of your considerations, sincerely so.

There is no greater honor for an artist’s than to be considered and collected. – Karen Ann Hitt – An Original Hitt

Watch for Karen Ann Hitt’s Solo Exhibit early 2021, more details will be at her website AnOriginalHitt.com.

Represented by the Hughes Gallery Inc, 333 Park Ave. Boca Grande, FL 33921 | 941-964-4273

Artist Statement
My paintings seek to capture influential daily moments, and the lasting effects these memories play on our hearts and minds throughout our lives. As an artist the passion is to reflect light, life, land, expressions as genuinely experienced ‘At That Moment…’. I paint in the hope to transport the viewer while also exposing them to the very emotion that stops us both now in our tracks to experience a view; simply, seeking with my art to bring you into viewing your own, “At That Moment…” too.

Artist Bio
Karen Ann Hitt is an award-winning artist, classically trained at Parson’s School of Design in New York, majoring in Illustration. That classic background is evident in her style, along with her love of capturing the figure and the effects of light in all of her scenes. Her paintings are noted to accentuate the effects of light, adding to their luminosity with her landscapes/skyscapes reflecting the essence of the landmark. Karen’s award-winning paintings are in private and corporate collections, such as Venice City Hall locally and nationally a U.S. President’s. Her Illustrations have been published nationally in both children’s picture books and distributed in a line of gifts.
Notably awarded: Best Oil annual Plein Air Salon May 2020 & 2nd Place Overall 9th annual Plein Air Salon Nov/Dec 2019 & Also Two time Semi- Finalist 2016, 2017; Best Landscape, WPSE National Exhibit 2016; 1st Place VAC Summerfest 2016; participant in: Oil Painters Of America 2020, 2018, 2015 National Salon Show; Best Of Plein Air exhibit, LPAPA; American Impressionist Society, Small Works Inaugural Exhibit;  Oil Painters of America Eastern Regional 2018,2017 and their 25th Annual National Show; Paint the Parks & Paint America National Exhibits, 2006 recipient of the Muses Award, Artist Member Historic Salmagundi Club, Exhibiting Memberships with: Oil Painters of America, American Impressionist Society, Plein Air Artist Colorado, Laguna Plein Air Painters Association and American Women Artists, Women Painters of the South East. She is the founder (2003) of the Venice Plein Air group and a signature member of Plein Air Florida. She is a Nationally Exhibiting & Published Artist.
Published in PleinAir Magazine Oct/Nov. 2015, June/July 2017, April/May 2018, June/July 2019, Feb/Mar 2020, Aug/Sept 2020; Fine Art Connoisseur Magazine May/Jun. 2016, Mar/April 2019, Sept/Oct 2020 and featured in PleinAir Magazine OutdoorPainter.com.

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