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Featured Artwork: Lisa Kovvuri

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Summer’s Autumn
16 x 20
Oil on wood
Contact the artist for details

Portrait artist Lisa Kovvuri releases the latest work from her new series of portraits: Beyond Appearances.

Building on the success of her most recent solo exhibition, The Portrait Experience, at the Whistler House Museum of Art, Artist Lisa Kovvuri is taking the genre of portrait painting to a personal level. Beyond representing a likeness, her new series serves as a catalyst for making connections and getting at the heart of what it means to be human. She’s taking a hiatus from painting commissioned portraits to embrace her desire to paint people in a context that can address the emotional and psychological experiences we all share.

“In this series my focus is on emotional presence more than a person’s identity. The sitters inspire ideas about states of mind and emotional moments we can all recognize. I see these portraits as a kind of mirror of humanity. The models I’ve recruited represent a diverse range of backgrounds and cultures.

I’m particularly drawn to people who I don’t typically encounter in my usual circles, people I can learn something from. Painting them bridges a gap for me. It cultivates empathy, and that’s an important personal aspect of my work.”

Although the new portraits strive to go beyond appearances, they depict appearances in a remarkable way. Departing from the more impressionist-leaning approach of her earlier work, these emphasize sculptural form, texture, intricate detail and attention to surfaces, offering viewers a much more intimate experience of the subject’s presence.

“That feeling of intimacy is important to me. I want people to be able to get up close and engage their senses, to feel free of barriers that may otherwise be there in real life.”

Although just a handful of works have been released so far, these paintings are already creating a stir on the show circuit and garnering awards, most notably the Portrait Society of America’s 2020 International Portrait Competition in which her painting Sunday Morning received a ‘Select 50’ designation. Another, entitled Blue, was chosen as a finalist in the Portrait Society’s Members Only Competition in December, 2019. The Whistler House Museum of Art’s Whistler Award and The Salmagundi Club NY Ridgewood Art Institute Award were also presented to Lisa for Sunday Morning in 2019.

Paintings in the Beyond Appearances series are released through Lisa’s e-newsletter. Sign up at https://lisakovvuri.com/email-newsletter to be sure to get a first viewing of each piece fresh off the easel, and updates on when and where to see them on exhibition (including Oil Painters of America’s upcoming National Exhibition details). See more of Lisa’s work on her website at www.lisakovvuri.com. Get sneak peeks behind the scenes and of works in progress by following @lisakovvuri on Instagram and Facebook.

Helping Artists Survive: Jean Stern Interviews Eric Rhoads

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Helping Artists Survive: Jean Stern Interviews Eric Rhoads

Jean Stern, Executive Director of the Irvine Museum Collection, interviews Publisher and CEO Eric Rhoads on how artists can get through the COVID-19 crisis.

Eric Rhoads is a career entrepreneur, with 30 years of launching companies and media brands, creating startups, and building businesses, including over 40 years’ experience in the radio broadcasting field, 25 years in the publishing business, and a decade in the art industry. Rhoads serves as chairman of the board of Streamline Publishing, Inc., a company he founded in 1986. He also serves as a consultant and adviser to companies in media, technology, digital media, and art.

Jean Stern is the Executive Director of The Irvine Museum Collection at the University of California, Irvine. An art historian, Jean specializes in paintings of the California Impressionist period.

Listen to the Interview Here:

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Sculpture Created in Self-Isolation

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Sculpture - "Brother and Sister" by George Anthonisen
"Brother and Sister" by George Anthonisen

The National Sculpture Society (NSS) has invited artists from around the world to participate in an exhibition called “Works In Progress: Sculpture Created in Self-Isolation.” Gwen Pier, Executive Director of the NSS tells us more about it in this Q&A.

Cherie Dawn Haas: How did this project come about?
Gwen Pier: This project was inspired by the international health crisis caused by COVID-19, resulting in us all having to shelter-in-place across the United States and throughout the world. The NSS website provides an online community for sculptors to “gather”, show their work, and see what their colleagues are creating during a time when most of us are otherwise feeling very isolated.

Were you surprised by the number of artists who are participating?
We were delighted by the vast number of entries we received within days after the call the sculptors was sent out. Clearly, sculptors were continuing to work!

Is it still open to more artists? If so, how do they enter their work?
“Works in Progress” is closed to entries, but NSS is quickly planning additional virtual exhibitions to engage sculptors and exhibit more sculpture in the
coming weeks. Stay tuned!

From a Participating Artist:

“Isolation is the environment in which I work and is not new for me,” said George R. Anthonisen (work shown at top). “For over fifty years, I have worked with positive and negative images of the human family ─ from murder to creation.

“I am trying to imagine who we will be as we emerge on the other side of this pandemic. What are our priorities? What choices will we make? How will we be changed by our new environment? How will we change the new environment?

“The future is exciting to think about if viewed positively. New ideas will emerge relating to the human family along with ideas that have existed and will exist forever.”

Learn more about the exhibition of sculptures here. 

Additional sculptures:

Sculpture by Walter Matia
Sculpture by Walter Matia
Sculpture by Georgia McMonigle
Sculpture by Georgia McMonigle
Sculpture by Craig Campbell
Sculpture by Craig Campbell

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Gallery Spotlight: Mockingbird Gallery

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Fine art galleries - Mockingbird Gallery in Bend, Oregon

In this new “Gallery Spotlight” series, we’ll be featuring art galleries that are continuing to keep their doors open – in at least a virtual sense, that is.

This week’s spotlight is with Jim Peterson, co-owner of Mockingbird Gallery in Bend, Oregon. The gallery represents 45-50 established representational artists from across the United States. They feature work in many various mediums including oil, pastel, acrylic, egg tempera, gouache, watercolor, bronze, wood, glass.

Fine art galleries - Representational paintings
Interior of Mockingbird Gallery
Fine art galleries - Mockingbird Gallery in Bend, Oregon
“John DeMott: American Frontier” is a one-person exhibition currently on view at Mockingbird Gallery

Cherie Dawn Haas: What’s your biggest priority at this time? Over the next year?
Mockingbird Gallery: We are staying in communication with all of our artists and making sure they know we are here for them in any way that helps. We are also working hard to create a beautiful catalog that will be mailed out in late May/early June advertising our 30th Anniversary Celebration show. I’m excited to have a quality mailing land in the hands of our friends and collectors at a time when they will be looking to possibly add to their collections. We will just need to push forward over the reminder of this year as close to our usual process as possible. We are looking forward to being able to unlock the gallery to the public, but only when it’s safe and makes sense.

Representational paintings
Takes Enemy
John DeMott
Oil
16 ” x 12 “
$5,800

What adjustments have you made as a gallery since the outbreak?
We have had to figure out ways to reach out to our collectors without having the doors open to our gallery. Our monthly e-newsletter, which we have been mailing out for 8 or 9 years, has a great following. We are able to continue with our established 2020 show schedule, and we are able to photograph the feature works as they are on display in the gallery. This allows our followers an opportunity to experience the gallery in a very natural state. We have also been allowing tours of the gallery on appointment, which has been popular with some of our locals.

Representational paintings
Blackfoot
John DeMott
Oil
16 ” x 12 “
SOLD

What advice do you have for collectors as they navigate these times, and beyond?
We are hearing from our collectors and they are very interested in what’s going on here at the gallery. I just let them know that things are going to be alright. We’re not going anywhere and we will continue to promote the artists they love throughout these challenging times. I’ve been happy to encourage art buyers to continue to collect during the downturn, but only if they feel comfortable doing so. These are smart and passionate people we are dealing with and they already understand that a purchase during a time like this is reassuring to the gallery and the artists. We know we have their support and we’re grateful to have strong and lasting relationships.

Representational paintings
Where the Enemy Can’t Follow
John DeMott
Oil
18 ” x 24 “
$9,500

Anything else you’d like to add about the current issues galleries are navigating?
I think as a gallery owner, it is important to be here throughout the week and make sure you are available. We can manage our businesses with the doors locked and be socially responsible at the same time. Stay close to what you are so passionate about. You can go to work, call artists, plan shows, contact collectors and be surrounded by good medicine at the same time. I have personally been using this time to return older works to many of our artists and request fresh offerings at the same time. Many artists are now without some of the shows they have relied on to support their careers, so they are eager to work with their gallery in creative ways to continue to market and reach buyers. I’m also a big fan of Instagram and love the way it allows us all to stay in touch and share the good news when artwork sells. (Follow Mockingbird Gallery on Instagram here.)

Representational paintings
Vantage Point
John DeMott
Oil
36 ” x 24 “
$18,200

What are some of the ways you find artists to represent?
We have so many ways that we are connecting with artists today. Instagram is actually a great way to make connections. It’s a wonderful tool for a gallery to follow many talented artists on Instagram and perhaps occasionally identify someone you would like to visit with about representation. It also works both ways. We know that many talented artists follow us as well and we like to make sure we keep our Instagram page alive and fresh.

We also receive emailed submissions on a regular basis and we try really hard to get back to anyone who has taken the time to do that. It’s always an honor to be contacted by a talented artist regarding representation. At this time we probably only bring in one or two new artists a year and we have been using a page on our website to also highlight a small group of guest artists. That can be a great way to get to know an artist better and also provide your collectors with more options. Our website is very organized and easy to navigate. I believe that offers any potential new artists an opportunity in advance to see how we operate our gallery.

Representational paintings
Caution on the Trapline
John DeMott
Oil
20 ” x 16 “
$8,500

Regarding your exhibitions, do you have a current online show?
Our current show is for Colorado-based, Western artist, John DeMott. We have been successful at selling his new oils by promoting his fresh works through the website, newsletter, and Instagram.

Representational painting by John DeMott
Moonlight Hunter John DeMott Oil 8 ” x 16 ” $3,500 (sale pending)
Representational paintings
The Plainsmen
John DeMott
Oil
24 ” x 24 “
$13,500

Fine art galleries - Mockingbird Gallery in Bend, Oregon

To learn more about Mockingbird Gallery, please visit mockingbird-gallery.com.

Stay tuned as we continue to feature contemporary art galleries here.


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Facebook Live Series: Lori Putnam “Bold Brushstrokes & Confident Color” **FREE LESSON VIEWING**

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Painting How-to - Facebook Live Series: Lori Putnam “Bold Brushstrokes & Confident Color” **FREE LESSON VIEWING**

A word from one of our sponsors … Watch a free painting demo with Lori Putnam as she creates the beginning of a plein air landscape.

Now is the perfect time to invest in bettering your painting and drawing skills. Each day at 3pm Eastern, during most of the quarantine period, Streamline Art Video will be giving you “Artist of the Day” segments live on Facebook to give you something to do and learn. (Like the page here for updates and more free art videos!)

Painting How-to - Facebook Live Series: Lori Putnam “Bold Brushstrokes & Confident Color” **FREE LESSON VIEWING**
Click this image to watch the free viewing in a Facebook Live video presentation.

Experience Lori Putnam’s friendly teaching style as she presents her process for creating paintings. We’re offering you some free segments and interviews of our videos to help you train your brain during COVID-19 times. A gift from Streamline Publishing, publishers of Fine Art Connoisseur and Plein Air Magazines, and newsletters Fine Art Today, Plein Air Today, Realism Today and American Watercolor. Facebook Live Series: Lori Putnam “Bold Brushstrokes & Confident Color” **FREE LESSON VIEWING**

If you like these videos, you can find a link at https://lilipubsorders.com/products/lori-putnam-bold-brush-strokes-and-confident-color

Video Length: 2 Hours, 42 Minutes
Lori Putnam is taking America by storm, winning awards and gaining critical acclaim from top art historians like Jean Stern, who said, “Like the natural light that figures so prominently in her work, Lori Putnam’s art does not sit still, is it constantly in motion. She treats the viewer to the total plein air experience — not simply the effect of light, which she captures so well, but the movement inherent in fluid sunlight. It is the motion of life itself. Lori does this like no one can.

Customer Reviews:
This is an excellent DVD. Ms Putnam shared much more information than others I have watched. Her story and interview at the end is also inspirational. I purchased this when it first released and have been waiting for another. Please ask her to consider making a new one for us soon.

A wealth of new ideas and approaches to learning plein air painting. The instructor is easy to understand and very competent in the subject.


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Featured Artwork: Sandra Corpora

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Placido
30 x 24 in.Oil on panel
$4,600
Available through the artist

My painting Placido captures the bicyclist in the moments after a ride in the hills of Sicily. Tired in a contented way, ruffled hair from the helmet, iridescent goggles, he’s perched on some masonry in the piazza, drying off in the strong Italian sunlight. The straightforward gaze of my painting connects with the viewer. He’s ready to have a birra with you and talk about the ride. He’s one of my favorite subjects, my husband who was born in Sicily and we return there often. I go there to paint and he bicycles those same hills and dramatic coastline.

I like to think that because of the feeling expressed in this painting, it has been recognized in a number of exhibitions. Placido won an Award of Excellence in the Juried Exhibition, American Women Artists at the Haggin Museum, Stockton, California. It also was accepted in the 2019 Oil Painters of America National Exhibition at the Illume Gallery, St. George, Utah. It was also a finalist in the Art Renewal Center 2019 International Competition, and a finalist in the Portrait Society of America 14th Annual Members Competition.

I love painting portraits and figures and look for the soul behind the eyes of my subjects. It’s a special joy to capture the gesture of a figure so it feels natural and alive. Figure drawing has been an ongoing study and I recently had the honor of competing in the second Figure Drawing Competition in New York at the Historic Salmagundi Club. I was thrilled to become an artist member of Salmagundi Club.

Beside portrait and figurative work, I paint landscape and still life. I think it’s important to work in a variety of subject matter and work as much from life as possible to continue to improve my skills. And I feel it’s very important to share my knowledge with others. I teach out of my studio in Historic Bethlehem, Pennsylvania. I’m a signature member of the American Women Artists, the Portrait Society of America, The American Impressionist Society, and a signature member of Oil Painters of America. I have had over a dozen solo exhibitions and my work is collected worldwide.

View more of Sandra’s paintings at sandracorpora.com

Upcoming Exhibitions:
NOAPS Best of America Small Works 2020
4/5/20 to 5/3/20 at McBride Gallery, 215 Main Street, Annapolis, Maryland 410.267.7077

Baum School of Art Auction
5/16/20 at The Baum School of Art, 510 Linden Street, Allentown, PA 18101 610.433.0032

Making Their Mark: American Women Artists
5/23/20 – 8/23/20 at the Booth Western Art Museum, 501 N Museum Drive, Cartersville, GA 30120 770.387.1300

Facebook Sandra Corpora
Instagram sandracorpora
WWW.SANDRACORPORA.COM

Gallery Profile: Lance Rehs of Rehs Galleries

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Rehs Galleries fine art oil paintings
The Artist (SOLD ARCHIVES) GEORGE SHERIDAN KNOWLES (1863 - 1931) The Duet Oil on canvas 36 x 28 inches Signed and dated 1915

Focus on Art Galleries > Publisher Eric Rhoads interviews Lance Rehs and Howard Rehs of Rehs Galleries (New York) in this spotlight video.

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Connect with Rehs Galleries

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Symbols in Art: The Traveler’s Desk

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PleinAir Salon - Lyubena Fox - FineArtConnoisseur.com
"Traveler's Desk" (oil) by Lyubena Fox won in the Best Artist Under 30 category of the December/January 2020 PleinAir Salon.

Symbols in Art > The symbols in this contemporary still life depict man’s yearning for knowledge. See how, with these insights from the artist. “Traveler’s Desk” was a winner in the “Best Artist Under 30” category of the December/January 2020 PleinAir Salon.

BY LYUBENA FOX

Symbols in Art: About “Traveler’s Desk”
Through the symbols in “Traveler’s Desk” (above) the painting depicts man’s yearning for knowledge. The knowledge yet to be discovered (symbolized by the closed books) is obtained by travelling (indicated by the globe). This desk tells the story of a dreamer curious to learn through his travels (curiosity depicted by the squirrel that he has brought from overseas, as this type of rodent is not found in Europe). You can also find that this person is interested in foreign cultures, hence he has received a letter with a haiku, a type of traditional Japanese poetry. In this context, the scales stand for a reminder that knowledge is more valuable than material riches.

Detail, Traveler's desk by Lyubena Fox
Detail
Detail, Traveler's desk by Lyubena Fox
Detail

The Painting Techniques and Process
My paintings are painted in several layers, using both the transparent and opaque qualities of oil paint. Each layer is applied after the previous has dried, which makes the painting withstand time. It also creates a glowing, three-dimensional effect, which is due to the different layers showing through each other. These works are painted following the logic of how the eye perceives: seeing the details in the context of the form. To create a fulfilling experience, the images are composed of places, full of detail for the eye to explore and places where the eye can rest.

I arrange my still life objects into a composition, which I paint from life. My linen canvas is prepared with a layer of gesso, onto which I do a rough sketch of the main elements of the composition in oil paint. Then I roughly fill in the colors into the sketch. Once that has dried, I model the forms in a very general fashion, leaving out all details. I let the second layer dry. On the third layer I get more precise with the forms of the objects, aiming for a finished look. It is important to always keep the smaller details in context of the larger forms.

Contemporary realism self-portraits
Lyubena Fox, “Self portrait,” 2019, oil on canvas

What Inspired me to enter PleinAir Salon
After all the work I have put into my paintings, my aim is for them to reach people who would be interested and could extract something from my art for themselves. I entered the Salon in hopes of my art reaching more people.

Symbols in Art - Contemporary realism still life paintings
Lyubena Fox, “Rosella,” oil on canvas, 40 x 50 cm

Artist statement
My goal as an artist is to build up on what we’ve learned from the past, so we can create within our fullest potential, during the present. This applies to several aspects in life.

As an oil painter I stand for mastering one’s crafts, meaning to know your materials, the different ways to use them and the chemical reactions towards their surroundings. This results in producing high quality works, which will last in time.

I value the importance of good design. So as to create visually pleasing paintings, they are created following the logic of how the eye perceives: seeing the details in the context of the form. The images are composed of places, full of details for the eye to explore and places where the eye can rest.

A lot of symbolism is used, whether old (accumulated throughout history) or new (emerged more recently), to illustrate topics concerning one’s emotions towards life. By presenting my statement I strive to make the viewer better understand themselves; urging them to think about how they feel and what they stand for; discovering who they truly are.

Art is a tool to scratch beneath the surface and reach a deeper understanding of our existence.

With my art I strive to capture the transitory beauty and emotions of life.

Additional Paintings:

Symbols in Art - Contemporary realism still life paintings
Lyubena Fox, “Autumn Chipmunk,” oil
Figurative art
Lyubena Fox, “Rila Nymph,” oil on canvas
Symbols in Art - Contemporary realism still life paintings
Lyubena Fox, “Memento Roses,” 2017
Figurative art
Lyubena Fox, “Happiness is a Butterfly,” oil on canvas
Symbols in Art - Contemporary realism still life paintings
Lyubena Fox, “Bullfinch Autumn,” oil on canvas
Symbols in Art - Contemporary realism still life paintings
Lyubena Fox, “The Next,” oil on canvas

Connect with Lyubena Fox:
Website | Instagram

Learn about the PleinAir Salon, view winning paintings, and enter your best work at pleinairsalon.com.


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Featured Artwork: Nanette Fluhr

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Manu
Oil
30 x 24 in.
Available through Artsy.net

Nanette Fluhr has created paintings which have acquired collections worldwide. Her work has been featured in exhibitions at the Museu Europeu d’Art Modern (MEAM) in Barcelona, the Butler Institute of American Art, the Wausau Museum of Contemporary Art, the Eisele Gallery of Fine Art, the Hutchins Gallery at C.W. Post College, the National Arts Club, the Salmagundi Club, and the University of Connecticut Gallery, among many others.

A highlight of Nanette’s career was having three of her works selected for a historic presentation of American painting, Contemporary American Realism, which toured national museums in China including the Beijing World Art Museum, Dalain Modern Museum, Tianjin Art Museum, Hubel Provincial Museum, Zhejiang Provincial Museum and the Shanghai Art Museum.

She has received honors and awards from institutions such as the Art Renewal Center, Artist’s Magazine, the Catherine Lorilland Wolfe Art Club, the Connecticut Society of Portrait Artists, the Portrait Society of America, and the School of Visual Arts.

Nanette graduated from Rutgers University in 1987 and then went on to earn her BFA with Honors from the School of Visual Arts in New York City, where she received the Rhodes Family Award for Outstanding Achievement. There she met John Frederick Murray, who taught her drawing, painting and picture making skills gleaned from the techniques of the Old Masters. During this time Nanette became a registered copyist with the Metropolitan Museum of Art in New York, where she painted museum-quality replicas of works by Lawrence, Le Brun, Rembrandt, Rubens, Velazquez and Van Dyke.

As a faculty member of the Art League of Long Island, Nanette shares her extensive knowledge of traditional realism. She is a sought after workshop instructor for schools such as the Teaching Studios of Art, where she taught Master Copy, and is currently visiting faculty. In partnership with Craftsy.com Nanette taught a 7 episode online video class, Classic Children’s Portraits in Oil. She has also worked with Rosemary & Co. Brushes. to create two signature brush sets.

Nanette has been featured in several publications as well as in a video produced at the Metropolitan Museum of Art highlighting her Master Copies.

View more of Nanette’s work at Artsy.net.

Featured Artwork: Jill Banks

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Le Soleil D’Or
16 x 20 in.
Oil on linen-lined panel
$2500
Available from the artist

Capturing Life in Oils

The artist says, “I paint to capture life’s magic … to transport you inside my oil paintings – to feel that breeze, hear the sounds, watch what happens, smell the beer.”

Le Soleil D’Or was painted plein air in Paris – capturing a life we appreciate now more than ever. Read about her personal painting trip to France in the Plein Air Today blog post A Paris Plein Air Adventure.

Isolation means plenty of new works are springing to life regularly. See her website, www.JillBanks.com, to sign up for her monthly newsletter to catch the latest paintings, news, and tales. She is also teaching her first set of online live painting classes that start mid-April. More info on classes here.

You can also follow Jill on Facebook and Instagram. Plus, make sure you are the first to see fresh work by signing up for New Art Alerts here.

Another of Banks’ plein air paintings Colorado Days is at Settlers West in Tucson with the Women Artists of the West 50th Jubilee National Exhibition from March 25-April 17. Banks recently became a Signature member of Women Artists of the West and American Women Artists.

Contact Jill at [email protected] or 703.403.7435.

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