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Dedicated to Gran

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Susan Patton, “Still Stirring (At 93),” Oil, 14x11 in., First Place Overall in the September 2024 PleinAir Salon
Susan Patton, “Still Stirring (At 93),” Oil, 14x11 in., First Place Overall in the September 2024 PleinAir Salon

We’d like to congratulate Susan Patton for winning Overall First Place in the September 2024 PleinAir Salon, judged by Kathie Odom.

“The story is front and center on this special painting,” Kathie said. “The idea is so out-of-the-box, even though this is everyday life for some. The best of edges, shapes, value, composition, movement… all there!! I love, love, love this painting!”

Behind the Scenes of “Still Stirring (at 93)”

By Susan Patton

My Inspiration

My grandmother, who I painted in this picture, and my grandfather, whom I called “Pop,” lived right up the hill from me when I grew up, and I kept a trail to their house year-round. My grandfather and my uncle, who lived with them, farmed the land around my home. I used to ride the combine and the bean truck to take the crop to the grain elevator with Pop and Uncle Dale. Gran (shown in this painting, “Still Stirring (at 93)”) would be home writing down the exact time of the sunrise and what the farmer guys were up to that day and the high and low temp on a calendar hung inside the kitchen cabinet door as she stirred together some lunch for the farmers and her “grands.”

I remember Pop turning up the glass of iced tea to get the last bit of tea (with a bit of lemonade added to it) and gulping it and then sitting the glass back down and getting up from the table, finding his hat, and going back to work. Years passed and my grandfather became ill with Alzheimer’s. He would walk down the road to find “home” and my uncle would follow him in the car a ways before pulling up next to him and offering a ride. He would thank him as he pulled back in the drive, then go in and take off his hat and sit down for a few minutes, then pick up his hat and start back again. After a long hard bout, my uncle and my grandmother made the decision to put him in a nursing home. But every morning my grandmother could be found in that same spot in the kitchen. She would fix his lunch, and my uncle would feed him and shave him, every day.

Eventually, he passed – to a new land where I’m sure he found a place for his hat, at Christ’s feet – because after his diagnosis but before he was really bad he asked my grandmother how to be saved. She said tears ran down his face as he asked Christ as his Savior. (His mother was a devout prayer warrior and I imagine it was her prayers answered – even at his old age.)

My uncle and my grandmother are left in the house now, but my uncle still farms – in multiple gardens instead of multiple acres. He can be found taking okra, tomatoes, and zinnias to the neighbors. Not sure what he does with all those tomatoes. My grandmother can be found “still stirring” up something for him to eat but with his help in getting stuff for her and as a sidekick in the kitchen. I found them the other day working together putting up pears.

I did this painting as a tribute to my grandmother, Ida Bell Stone Morgan, who today, at 99 now, can be found carefully “still stirring” around, and “stirring up” something to eat as she serves her family purely out of love.

Technically Speaking

This painting flowed fairly easily from start to finish. It was painted alla prima, in one sitting. My familiarity with the subject allowed me to paint how I saw the scene in my mind – as I saw it nearly every day of my childhood.

I began this piece by applying a layer of transparent dark wash and then wiping out the lights. I remember how Gran’s hair and posture seemed to just appear. I remember adding the details on the stove but not on her face because her posture and arthritic hand told volumes.

Susan Patton, "Gran," graphite, 16 x 12 in., not for sale
Susan Patton, “Gran,” graphite, 16 x 12 in., not for sale

On Winning in the Monthly PleinAir Salon

My first thought was, “Did I read that right?” But mostly, winning this award with this particular painting of my grandmother means the world to me. I have recently been planning to put together a book of paintings and writings that record memories of my childhood that others can relate to, so this award has just confirmed this calling. I am so grateful!

Susan Patton, "Pretty in Pink," oil on panel, 8 x 10 in., sold
Susan Patton, “Pretty in Pink,” oil on panel, 8 x 10 in., sold
Susan Patton, "Arrayed in Beauty," oil on panel, 12 x 36 in., sold
Susan Patton, “Arrayed in Beauty,” oil on panel, 12 x 36 in., sold

If You’re Considering Entering the PleinAir Salon:

Enter! I have entered multiple times. You just never know!

My art education began with watching my artist mother, Dot Courson, and then continued through professional workshops with master artists across the US. I have an art studio in North Mississippi. I am also a Registered Physical Therapist and worked in that field for 20 years, but I have been working full-time as an artist and workshop instructor for the past six years. I never went to art school, but I love teaching art as much as painting. I think it is because I love people, and people are my favorite subject to paint.

Connect with Susan Patton: www.susanpattonart.com


About the PleinAir Salon:

In the spirit of the French Salon created by the Academie des Beaux-Arts in Paris, this annual online art competition, with 11 monthly cycles, leading to the annual Salon Grand Prize winners, is designed to stimulate artistic growth through competition. The PleinAir® Salon rewards artists with $50,000 in cash prizes and exposure of their work, with the winning painting featured on the cover of PleinAir® Magazine.

Winners in each monthly competition may receive recognition and exposure through PleinAir Magazine’s print magazine, e-newsletters, websites, and social media. Winners of each competition will also be entered into the annual competition. The Annual Awards will be presented live at the next Plein Air Convention & Expo.

The next round of the PleinAir Salon has begun so hurry, as this competition ends on the last day of the month. Enter your best art in the PleinAir Salon here.

Virtual Gallery Walk for November 1st, 2024

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Friday Virtual Gallery Walk

As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this week’s “Virtual Gallery Walk.” Browse the artwork below and click the image itself to learn more about it, including how to contact the gallery.

Time Passages, George Hallmark, oil, 24 x 24 in; ArtzLine.com

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Faux Relic, 2024, Kei J. Constantinov, copper gilded oils on Claybord, 24 × 18 in; 33 Contemporary

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Fisherman Bay Winter Sunset, Steven R. Hill, award-winning plein air pastel, 18 x 24 in; Windswept Studios

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The Living Legend, Ken Rowe, bronze, 16 x 16 x 7; ArtzLine.com

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The work below is from the 2024 Online Show running
November 1st through December 31 2024.

Browse the artwork and click on the images to learn more about the paintings, including how to contact the artist.

Hollyhocks, Jennifer Riefenberg, plein air pastel, 6 x 12 in; Juried entry, National Plein Air Artists Colorado Show

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Golden Hour, Kathleen Lanzoni, watercolor, 10 x 20 in; Kathleen Lanzoni

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On His Own, Cecy Turner, plein air pastel, 12 x 9 in; Cecy Turner

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First Light, Michael Gault, oil on panel, 12 x 16 in; Artistic Endeavors Fine Art; Plein Air Artists Colorado

 

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today. Don’t delay, as spaces are first come, first served, and availability is limited.

The Horvitz Collection: Revolution, Reform, and Restoration

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"Andromache Mourning the Death of Hector," about 1783, Jacques-Louis David; The Horvitz Collection, Wilmington
"Andromache Mourning the Death of Hector," about 1783, Jacques-Louis David; The Horvitz Collection, Wilmington

Now through January 6, 2025, view two shows of art exclusively from the Horvitz Collection. The exhibitions are taking place at the Art Institute of Chicago.

Exhibition 1:
Revolution to Restoration: French Drawings from the Horvitz Collection
Complementary to the Reform to Restoration painting exhibition (discussed below), this exhibition features a selection of approximately 90 neoclassical drawings from 1770-1830, the particularly politically and socially unstable time in France between the French Revolution through the Restoration of the Bourbon Dynasty.

"Standing Woman in Antique Dress" (detail, 1791, Jean-François Janinet; The Horvitz Collection, Wilmington
“Standing Woman in Antique Dress” (detail, 1791, Jean-François Janinet; The Horvitz Collection, Wilmington

Exhibition 2:
Reform to Restoration: French Paintings from Louis XVI to Louis XVIII (1770-1830)
This exhibition complements the French Drawings version, and features a group of neoclassical paintings that showcase how French artists looked to the art, architecture, and literature of ancient Greece and Rome, as well as current events to convey moral and civic values during a period of political and social upheaval in France.

View more art museum announcements here at FineArtConnoisseur.com.

At a Glance: OPA in AZ

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Nikolo Balkanski (b. 1957), "Desert Clouds," 2024, oil on board, 16 x 24 in.
Nikolo Balkanski (b. 1957), "Desert Clouds," 2024, oil on board, 16 x 24 in.

Now representing more than 3,500 artist members, the nonprofit organization Oil Painters of America (OPA) is presenting its Western Regional Exhibition of Traditional Oils at the Phippen Museum in Prescott, Arizona.

On view are approximately 125 paintings created by members who live west of the Mississippi.

“This extraordinary event will feature approximately 100 of the finest representational oil paintings,” said the museum, “showcasing exceptional draftsmanship, color, and composition.”

Oil Painters of America Western Regional Exhibition
Phippen Museum
Prescott, Arizona
oilpaintersofamerica.com
phippenartmuseum.org
Through January 5, 2025

Artist Spotlight: Kathleen Kalinowski

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Kathleen with artwork

How did I get started in my career?
Kathleen Kalinowski: My career has gradually been building over the last 30 years as I constantly strive to improve my artwork through education and painting almost everyday. I have experienced working with galleries, art consultants, and did over a decade of art fairs. The combination has given me a decent collector base here in the Great Lakes region. I now have a good website, consistently selling galleries, receiving commissions, teaching workshops and participating in a few plein air events. Working from life has greatly improved my painting skills and informs my studio painting. I started my art career primarily using pastel and now I also love using oils both in the studio and for plein air work.

How do I find inspiration?
Kathleen Kalinowski: It isn’t hard for me to find inspiration, especially with my love of the landscape and painting outside in nature. I like to fill sketchbooks with small thumbnail designs and color notes. I also use watercolor and gouache to explore ideas and compositions for future studio work. Artistic growth and inspiration comes from the exploration of ideas, along with mindful and consistent time at the easel.

To see more of Kathleen’s work, visit:
website

oil painting of water with trees and mountains in distance; framing the water's edge
Kathleen Kalinowski, “Harmony in Blue,” oil, 16 x 20 in., 2024; available through artist
pastel painting of sunflowers framing left side of painting
Kathleen Kalinowski, “August Sunshine,” pastel, 12 x 16 in., 2024; available through artist

Happening Next Week: Realism Live

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Realism Live art conference

The 5th Annual Realism Live is a virtual art conference for artists, art lovers, and collectors. Watch and interact with world-renowned artists as they demonstrate their skills November 13-15, 2024, with an optional Essential Techniques Day on November 12.

Included is an exclusive faculty art auction, pre-event seminars, breakout rooms, a paint-along cocktail hour, and more.

This year’s faculty includes: Juliette Aristides, Suzie Baker, Ben Bauer, Yana Beylinson, Lyn Diefenbach, Michelle Dunaway, Steve Forster, Kristy Gordon, Thomas Jefferson Kitts, Angus McEwan, Kami Mendlik, Michael Mentler, Carol Peebles, Mary Pettis, Mark Pugh, Matt Ryder, Sarah Sedwick, Daniel Sprick, Anthony Waichulis, Dawn Whitelaw, Zhaoming Wu, Vincent Xeus, and Zane York, hosted by Eric Rhoads and Peter Trippi.

Realism Live online art conference

When you attend Realism Live, You Have The RARE Opportunity To…

  • Learn from dozens of the World’s Top & Most Accomplished Realism Painters.
  • Streamline your realist painting skills through in-depth painting demos. Learn in 3 days what normal students take over a decade and tens of thousands of dollars to study.
  • Paint along with your favorite Realism Masters and connect with other artists from all over the world, right from the comfort of your own home… No travel, airfare, meals, or hotel needed!
  • Receive premium Instruction in Figure, Portrait, Landscape, Still Life, Flowers, and more!
  • Witness how your favorite Realism artists start, work through, and finish paintings and drawings.
  • Discover the go-to materials and equipment that the World’s Greatest Realism Artists are using today –– Material list included!
  • And Much, MUCH More!

Click here to visit RealismLive.com and register now!

Virtual Gallery Walk for November 1st, 2024

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Friday Virtual Gallery Walk

As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this week’s “Virtual Gallery Walk.” Browse the artwork below and click the image itself to learn more about it, including how to contact the gallery.

Bright Angel Trail, Grand Canyon, Robert Goldman, oil on canvas, 24 x 30 in; Grand Canyon Conservancy’s Celebration of Art

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Fish Bay Tombolo Impression, Steven R. Hill, plein air pastel, 17×28 in; Windswept Studios

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Boys To Men, Arlene Steinberg, colored pencil, 12 x 30 in; Arlene Steinberg

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Hollyhocks In Bloom, Daniel Mundy, oil, 30 x 18 in; ArtzLine.com

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The Yellow Dress, Deborah Macy, oil on aluminum, 26 x 30 in; Deborah Macy/AAPL/ Grand National Exhibition

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Howling Wind, Ken Rowe, bronze, 15 x 13 x 9 in; ArtzLine.com

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Coastal Bliss, Eva Volf, oil on canvas, 60 x 48in; Eva Volf

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Ruby, Standing, Clarissa Payne Uvegi, oil on canvas, 60 x 30 in; Clarissa Payne Uvegi

 

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today. Don’t delay, as spaces are first come, first served, and availability is limited.

Sharing Makes Us Stronger

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Fine Art Connoisseur magazine - ALEXANDER KOSTELLOW (1897–1954), "In a Park," 1936, tempera on canvas on board, 30 x 30 in., Westmoreland Museum of Art
ALEXANDER KOSTELLOW (1897–1954), "In a Park," 1936, tempera on canvas on board, 30 x 30 in., Westmoreland Museum of Art

From the Fine Art Connoisseur November/December 2024 Editor’s Note:

Sharing Makes Us Stronger

The United States is fortunate to have a lively museum scene, with hundreds of thousands of artworks on public view at their home institutions and thousands more in circulation through traveling exhibitions. Even so, vast holdings of American art remain tucked away in museum vaults, inaccessible to art lovers due to financial and logistical constraints. Fine Art Connoisseur magazine NovDec24

That’s a regrettable situation now being addressed in earnest. Earlier this year, Art Bridges launched its Partner Loan Network, fostering long-term collection-sharing partnerships among museums of all sizes nationwide. This initiative existed in another form for the past seven years, but now its scope has broadened. “By providing a platform for museums to share their collections, the Partner Loan Network offsets limitations to collection-sharing by providing logistical and strategic support to get artworks out of storage and share them with communities across the country,” explains Anne Kraybill, CEO of Art Bridges.

Art Bridges is a foundation created by the arts patron Alice Walton, whose family founded Walmart and still controls it. Art Bridges has its own collection of art, and it works closely with the Crystal Bridges Museum of American Art in Bentonville, Arkansas, Walmart’s hometown.

Today the Partner Loan Network involves more than 200 institutions ranging in size from the gigantic Museum of Modern Art to the more modestly scaled Peoria Riverfront Museum. Art Bridges coordinates the preparation of the artworks to be loaned, including insurance, crating, and shipping, at no cost to participants, and additional grants to support educational activities are available. Over the past year, nearly 280 objects were rotated, enhancing the collections of 29 borrowing institutions.

A useful example can be enjoyed this season at the Westmoreland Museum of American Art in Greensburg, Pennsylvania. On view there through December 8 is the exhibition “The Great Search: Art in a Time of Change, 1928–1945,” which takes its title from the 1939 World’s Fair held in New York City.  Organizer Holger Cahill, then national director of the Federal Art Project, spoke of the modern American artist’s “search that takes many paths” — a yearning desire to seek out new and enduring forms that would aid democracy.

Among the master artists represented in this year’s show are Milton Avery, Arthur Dove, Marsden Hartley, and Andrew Wyeth. Though many of the works come from the Westmoreland’s superb collection, others have been loaned through a multi-year, multi-institutional partnership formed by the Philadelphia Museum of Art and Art Bridges. Philadelphia holds a particularly outstanding collection of American art, yet simply cannot show all of it. Why not, then, share some of those treasures, especially with another great venue in the same state?

Collaborations like this will help move our field forward, especially in this time of soaring costs and understaffing. To learn more about the network, visit artbridgesfoundation.org, and enjoy some of the resulting projects now underway.

What are your thoughts? Share your letter to the Editor below in the comments.

Download the current issue of Fine Art Connoisseur here.


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Peek Inside Fine Art Connoisseur, November/December 2024

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Fine Art Connoisseur magazine NovDec24

Published six times per year, Fine Art Connoisseur is now a widely consulted platform for the world’s most knowledgeable experts, who write articles that inform readers and give them the tools necessary to make better purchasing decisions.

Fine Art Connoisseur magazine NovDec24

Fine Art Connoisseur, November/December 2024

Get this issue of Fine Art Connoisseur here.

ON THE COVER
LOUISE SOLECKI WEIR (b.1961), “Sima,” 2023, ceramic with oils (unique), 18 x 14 x 9 1/2 in., available through the artist

COLUMNS

  • Frontispiece: Mortimer Menpes
  • Publisher’s Letter: Portraits of the Present, Intended for the Future
  • Editor’s Note: Sharing Makes Us Stronger
  • Off the Walls
  • Classic Moment: Neill Slaughter

FEATURES

  • Artists Making Their Mark: Three to Watch
    We highlight the talents of Rachel Burgess, Jennifer Cronin, and William J. Rushton.
  • Go Figure
    By Max Gillies
  • Jamie Wyeth’s Homages to His Wife, Phyllis
    By Chris Crosman
  • Paulette Tavormina’s New Take on the Old Masters
    By Peter Trippi
  • Belle Da Costa Greene, Trailblazing Librarian
    By Thomas Connors
  • Old River, New Light
    By Rebecca Allan
  • Bath: The City as a Work of Art
    By Louise Nicholson
  • The Hedberg Collection’s Next Chapter
    By Peter Trippi
  • Great Art Nationwide
    We survey 15 top-notch projects occurring this season.

Subscribe art magazines - Fine Art Connoisseur

Fine Art Connoisseur‘s jargon-free text and large color illustrations are attracting an ever-growing readership passionate about high-quality artworks and the fascinating stories around them. It serves art collectors and enthusiasts with innovative articles about representational paintings, sculptures, drawings, and prints — both historical and contemporary, American and European. Fine Art Connoisseur covers the museums, galleries, fairs, auction houses, and private collections where great art is found.

American Plains Artists: 2024 Signature Show Winners Announced

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Best of Show: "Rattlesnake Glen" (oil, 16 x 20 in.) by Charlie Bullock
Best of Show: "Rattlesnake Glen" (oil, 16 x 20 in.) by Charlie Bullock

The American Plains Artists has announced the winners of their 2024 Signature Art Show that opened at the Prairie Arts Center in North Platte, Nebraska.

From the organizers:

A large, continuous crowd enjoyed seeing this impressive display of artworks. Winning Best of Show was “Rattlesnake Glen,” an oil painting by Charlie Bullock of Athens, TX.

The Publisher’s Award of Excellence sponsored by Art of the West magazine went to “Morning Glow on the Bosque” by Lloyd Voges of Clifton, TX.

Publisher's Award of Excellence: "Morning Glow on the Bosque" (oil, 24 x 18 in.) by Lloyd Voges
Publisher’s Award of Excellence: “Morning Glow on the Bosque” (oil, 24 x 18 in.) by Lloyd Voges

And the Publisher’s Award of Excellence Artist Focus sponsored by Western Art Collector was won by “Smokin’,” a bronze by Mary Michael of Harlowton, MT.

The North Platte Award went to “The Stillness of the Land” by David Dorsey of Valentine, NE.

The Golden Spur Award (APA Signature Members Choice) went to “Gentle Nudges” by June Dudley of College Station, TX.

The Arrowhead Award (chosen by the hosting facility) was “Jack Scratch,” a bronze by Sherry Blanchard Stuart of Scottsdale, AZ.

Winning the Plainsman (People’s Choice) Award was “These Few Precious Days,” a colored pencil by Eileen Nistler of Upton, WY.

The public is encouraged to view the show online at www.americanplainsartists.com.

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