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Fine Art by Daniel Keys and A Moment in the Spotlight for “Abundance”

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Daniel Keys, “Abundance,” 2017, oil on linen, 24 x 36 in.

Daniel Keys – Opus: One Man Show & Sale
March 8-18, 2018
Legacy Gallery, Scottsdale, Arizona

Recently on Instagram, a post from Daniel J. Keys caught my eye. It was a floral painting that, standing alone, caught my immediate attention, but when I read more about it I felt compelled to share this behind-the-scenes look at “Abundance” (above) with you. Keep scrolling to see what Keys had to say about it, and watch a captivating video preview of his current fine art exhibition. And stay tuned — Keys’ work will also be featured in an upcoming issue of Artists on Art.

“Several months ago, when a collector was faced with the decision of having to decide between two of my paintings (‘Abundance’ and another large still life), I was secretly thrilled at the prospect of being able to display this one in my upcoming show, ‘Opus,’ ” Keys said. “While the other painting that they ultimately went with is equally as beautiful, there are just some pieces that deserve to have their moment in the spotlight before heading directly into a private collection, where few will have opportunity to see it.”

Daniel Keys, “Innocence,” oil on linen, 40 x 45 in.

“And being able to share ‘Abundance’ with all who will pass through the gallery in the coming weeks brings a certain amount of satisfaction and happiness to me as the artist. Paintings represent countless hours of effort, joy, struggle, tears, and sometimes even a giddy response to getting the brushstroke just right. The works of a painter represent where he has been and who he has become. This show is all of that for me, and I’m so excited to share it with all of you!”

Daniel Keys, “Montana Bovines,” 2017, oil, 20 x 24 in.

I reached out to Keys to invite him to share more about the exhibition, and he added, “When Legacy Gallery approached me about doing another one-man show, I immediately said yes. Not only are they a fabulous gallery with which to work, but there’s also just something about putting together an exhibition of paintings that excites me. A single painting can be complete in and of itself, and should be strong enough to stand on its own, but a body of work gives the viewer deeper insights into who the artist is.”

Daniel Keys, “Sunflowers with Berries,” 2018, oil, 6 x 10 in.

“It’s an opportunity to show range, new direction, and progress, and give both the collector and general art-lover a chance to have a more immersive experience. Like a musical concert, hopefully each song holds together on its own merits, but hearing them as a collection of works becomes a more complete and enveloping picture. My paintings are my songs, but ‘Opus’ is my concert.”


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Fine Art with a Dash of Humor or Strangeness

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Paula Rubino, “Ganache,” 2018, oil on linen, 48 x 36 in.

The fine art of Paula Rubino is on view through March 19, 2018 at Ann Long Fine Art (Charleston, South Carolina).

“Through direct observation of careful arrangements of colors and poses, my main goal is to evoke a certain mood, trying to get the painting in my head to eventually translate on canvas,” says Rubino. “My inclination to paint is driven primarily by the desire to make a visual statement rather than an intellectual one, though at times my paintings impart a subtle social comment in the guise of a pleasing image, often with a dash of humor or strangeness, aiming to strike a dissonant chord. These figurative paintings are observations made over time, in layers, that I hope finally result in a harmony, giving each painting its own life, and allowing it to speak for itself.”

Paula Rubino, “Gleaner,” 2018, oil on linen, 48 x 45 in.

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Take a Deeper Look In the Garden: Fine Art That Celebrates Insects and Flowers

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James Sharp, “Flowers and Butterfly Fireboard” (detail), 1867, oil on wood, 32 ¾ x 54 7/8 in., Museum purchase, acquired from Maxim Karolik, 1959-265.39, Photography by Andy Duback

In the Garden
Through August 26, 2018
Shelburne Museum (Vermont)

From the Museum:

Eighty percent of all plants on Earth produce beautiful fragrant flowers to attract insects, which in turn act as pollinators. Over the course of millennia, this symbiotic relationship has resulted in the evolution of an endless array of colors and shapes of both flowers and insects.

Featuring a mix of fine art, textiles, jewelry, and the bodies of actual insects, “In the Garden” explores the various ways in which flowers and bugs have captivated the imaginations of artists over the last five centuries. Combining historical objects from the Museum’s permanent collection with thought-provoking works by contemporary artists, the exhibition is structured into three thematic sections:

Clarice Smith, “Last of Summer,” 2016, oil on canvas, 38 x 48 in., Courtesy of Gerald Peters Gallery, New York

Entitled “Flower Power: Desire, Love, and Sentiment,” the first section explores the allure of flowers, their hidden romantic meanings, and their use as gifts for special occasions from the cradle to the grave.

Tiffany & Co., Edward C. Moore, and Allan Adler, “Selections from Lap-Over-Edge Silver Flatware Service,” ca. 1883 and ca. 1958. Silver, gold, copper, brass, and steel, Gift of Dundeen B. Catlin in honor of her grandmother, Electra Havemeyer Webb, 2014-12, Photography by Andy Duback (Click image to view detail)

The second section, “Everlasting Blooms: The Floriform Metalwork of Marie Zimmermann,” examines the broad range of floral-inspired jewelry, housewares, and garden furniture designed and produced by Zimmerman, an underappreciated master craftsperson and American treasure.

Jennifer Angus, “In the Midnight Garden,” from Wonder at the Renwick Gallery, Smithsonian Museum, 2015. Various insect specimens and pins, Courtesy of the artist, Photography by Ron Blunt (Click image to view detail)

The third section, “Invasive Species: Insects in the Home,” focuses on artist and designers who find inspiration in the intricate anatomy of bugs, adapting colorful carapaces, fragile antennae, and gossamer wings into chic art and decoration.

Joan Lintault, “The Other Messengers,” 1994, cotton and dye, 89 ½ x 83 in., Gift of Ian Lintault, 2010-35, Photography by Andy Duback (Click image to view detail)

“The diverse selection of art and design featured in this exhibition reflects the beauty and complexity of the flora and fauna found in gardens,” says Kory Rogers, curator of the exhibition. “While certain works celebrate our instinctual emotional connection to flowers, others challenge our cultural biases against insects. It is my sincere hope that visitors will take away a greater appreciation and understanding of the natural world in all its many forms.”


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Featured Artwork: Stacey Peterson presented by Frame of Reference

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Reverie
30 x 40 in.
Oil

Stacey Peterson was born in 1978 and raised in Littleton, Colorado. Growing up at the foot of the Rocky Mountains, Stacey developed a love for the outdoors that influences her artwork today.

While Peterson’s professional background is in the field of environmental engineering, she has always been interested in drawing and painting. She took up oil painting after graduating from college, concentrating on portraiture at first and then turning her focus to the landscape. An avid backpacker, hiker, and mountain biker, Peterson draws upon her time outdoors to provide the inspiration for her oil paintings. She often works on location, and uses her plein air studies as reference for studio works that typically depict locations in the wilderness areas of Colorado and the Rocky Mountain West.

Stacey is an award-winning painter, most recently honored with awards at the 2013 Oil Painters of America Western Regional, 2012 Salon International and 2012 Rocky Mountain Plein Air Painters national show. She has been featured in Southwest Art and PleinAir magazine, and had her artwork published in American Artist and Western Art Collector magazine.

Primarily a self-taught artist, Stacey’s art education includes coursework at the Rocky Mountain College of Art and Design, and workshops with nationally recognized painters Dan Young, Jay Moore, and John David Phillips. By way of formal education, Stacey holds a B.Sc. degree in Chemical Engineering and Environmental Science from the Colorado School of Mines.

Peterson is a signature member of the Oil Painters of America (OPA), and Rocky Mountain Plein Air Painters (RMPAP). Stacey lives in the mountain town of Evergreen, Colorado with her husband Nathan, nine year old daughter Aspen, and six year old son Owen.

Featured Artwork: Lisa Gleim

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Barn Cat
11 x 14 in.
Pastel

Atlanta artist Lisa Gleim is just one in a family deeply rooted with Southern artists, some of whom are also successful painters. A graduate of the Pennsylvania Academy of the Fine Arts, Lisa is strongly influenced by the great American Impressionists.

After graduating from PAFA, her love of pastels took off when a family friend gifted her a set of French pastels, she was immediately hooked. “The medium,” she says “allows me the ability to capture the effect of light with extreme vividness.” She is particularly interested in capturing the beauty of light and how it affects her subjects, whether it be an animal or a coastal landscape. “The richness that painting with pure pigment provides me is unmatched”, she says.

Lisa is always looking at her daily encounters as possible paintings. She never leaves home without her camera or at least, her phone so she always has the option to capture a perfect moment. Although her work is primarily created in studio, she does paint in plein air whenever possible. Each year she takes a week-long painting trip, usually near water.

Both her portraits and landscapes can be found in many private collections across the United States including the Children’s Hospital of Philadelphia, AstraZeneca Pharmaceutical, the Court of Chancery in Wilmington, DE and has been included in numerous publications, including several issues of the book Strokes of Genius: The Best of Drawing series by Northlight Books.

Lisa is the Audubon Artists 2012 & 2016 Gold Medal of Honor for Pastel recipient, and Audubon Artists 2013 Art Spirit Foundation’s Gold Medal Award for Pastel. In 2016 she was the Atlanta Branch of the National League of Pen Women’s Artist of the Year. She is a signature member of the American Society of Marine Artists, a Master Circle Member of the International Association of Pastel Societies and a juried associate member of the Society of Animal Artists, to name a few. After living and working in Philadelphia for eight years, she returned to her native home of Atlanta in 2000 where she maintains her studio and residence with her husband and 12 year old daughter.

To view her online portfolio, visit www.LisaGleimFineArt.com.

Featured Artwork: Ben Steele

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Bonneville Salt
40 x 40 in.
Oil on canvas

Ben Steele was born in 1977 in Kennewick, Washington and graduated from University of Utah in 2002 with a BFA in painting and drawing, continuing his education at the Helper Art Workshops under the instruction of former University of Utah professors David Dornan and Paul Davis. The summer workshops led to a multi-year internship with Dornan and Steele relocated to Helper, Utah to begin his professional art career, exhibiting in galleries throughout the United States ever since. He continues to live and work in Helper, Utah.

Steele’s art is part of several notable collections, including the Raymond James Financial art collection, the Dennis and Phyllis Washington Foundation, Academy Award Winning Producer Michael Sugar, the Executive Offices of the San Francisco Giants, golfer Fred Couples, and in multiple Delta Airline Sky Club lounges throughout the US.

Gallery Representation:

ARDEN GALLERY
129 Newbury St.
Boston, MA 02116
www.ardengallery.com

CODA GALLERY PALM DESERT
73-151 El Paseo
Palm Desert, CA 92260
www.codagallery.com

GIACOBBE FRITZ FINE ART
702 Canyon Road
Santa Fe, NM 87501
www.giacobbefritz.com

MODERN WEST FINE ART
177 East 200 South
Salt Lake City, UT 84111
www.modernwestfineart.com

TROVE GALLERY
804 Main Street
Park City, UT 84060
www.troveparkcity.com

Featured Artwork: Howard Friedland presented by Creighton Block Gallery

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Grain Elevator
12 x 16 in.

Artist Statement:
“The challenge for me is always to see the world with fresh eyes and respond spontaneously to the beauty before me. It’s possible to lose the impact of my initial vision out of doors due to the continually changing light. For this reason I strive to capture as quickly and accurately as possible the visual sensations that I have of the subject. I study the color relationships and try to note them as best as I can. Back at my studio I use these “on the spot” studies for larger paintings. I also take some photos for additional information, however I’m careful not to copy the photograph (too much information could dilute my first impression). Therefore, I also have to rely on my memory to recall the mood that I wanted to express.” “Some painters prefer to render a picture tightly to a literal level of finish. However I prefer to paint only enough for the viewer to get a clear vision of what the subject is and suggest the rest. When the painting is viewed close up you can see the many colorful brush strokes, as you step further away the brush strokes disappear and your eye pulls the whole painting together. That is what the magic of painting is about for me. This allows the viewers to use his or her imagination and participate in the painting”.

Howard and his wife and their studio in Bozeman, Montana, have been featured in numerous art magazine articles including the June/July 2015 issue of PleinAir magazine, Art of the West magazine and American Artist Studio Edition.

Howard has painted, taught and exhibited extensively in numerous states in the U.S. as well as Mexico, France, Italy, England, Spain, Portugal, Croatia and China. Friedland’s work is featured in many private and corporate collections around the world including museums in China. Howard was invited to join renown Chinese American artist Zhiwei Tu and several prominent American and Chinese master painters to paint and exhibit large plein air paintings created in China in 2011 and 2014.

He has a teaching DVD, “Painting the Landscape Loosely but Accurately” released this year from Bella Muse Productions.

Featured Artwork: Gennady Spirin presented by The Brinton Museum

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Image from We Three Kings

The Brinton Museum presents the 13th Illustrator Show, featuring Russian-born artist and internationally known children’s storybook illustrator, Gennady Spirin. This exhibit opens in the Jacomien Mars Reception Gallery on March 15th. Spirin is highly-acclaimed for his amazing, richly detailed illustrations of stories adapted for children’s picture books, including biblical stories of the Creation, Noah’s Ark and the Three Kings of the Orient. The Brinton’s exhibit also includes beautiful, imaginative illustrations of the timeless European fairy tale, Little Red Riding Hood, and the 19th century classic children’s book, Goldilocks and the Three Bears. Forty-five of Spirin’s exquisite original drawings are showcased in this year’s Illustrator Show which has a focus on learning about book art illustration. The Illustrator Show offers a diverse range of educational opportunities for students of all ages, as well as adults. A reception to meet the artist takes place on Sunday, March 18, from 3 to 5 PM.

Gennady Spirin is the recipient of five Gold Medals of the Society of Illustrators and Best Illustrated Book of the Year designation by the New York Times for four children’s picture books. The artist will be in residence at The Brinton Museum from March 19 through March 23 for school tours.

The Brinton’s Illustrator Show, now in its 13th year, has been successful in providing educational programs for more than 10,000 students in Northern Wyoming.

About The Brinton Museum:
Founded in 1960, The Brinton Museum is a fine arts institution devoted to preserving the art and history of the West. Located on the historic Quarter Circle A Ranch in the foothills of the majestic Bighorn Mountains, it features 19th, 20th and 21st century American and Indian Art in a historic Western setting.

Featured Artwork: Jill Banks

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Around Town
40 x 30 in.
Oil on linen
$6800
Available through the artist

Capturing Life in Oils
In Around Town, city skyscrapers are quiet backdrops to people gathered on sidewalks and cars passing by. Despite the cold, friends and acquaintances linger, catch up with each other.

Paintings created in the studio evoke all the emotions and memories the artist experiences on frequent plein air painting excursions, trips and competitions. Award-winning impressionist Jill Banks chooses painting locations where she is most apt to encounter plenty of interesting subjects wandering in and out the scene. She travels everywhere with her easel, setting up in markets, on city sidewalks, in a restaurant or bar, at the farm to paint the animals as they wander around in the field. And when she’s not at her easel, Jill is still observing and taking in the world around her – figuring out ways to capture and convey life’s magic through her art.

​About her work Jill ​says, “painting plein air and figuring out what I’m truly working to convey naturally led to details and extra stuff falling to the wayside. Stylistically, I continue to evolve from realism with feeling to impressionism with even more emotion and simplification.”

The viewer has room to fill in the rest, to be transported into the scene.

When Jill is not out in the field painting or traveling, there are two studios ready and waiting to put all that gathered inspiration to good use. One’s in her home in Fairfax, Virginia. Another is a studio shared with ten other artists at the Artists’ Atelier at 756 Walker Road in Great Falls, Virginia. Visitors are welcome during open hours, special events and any time by appointment.

View more of Jill’s work at www.JillBanks.com and in Galleries.
Contact Jill at [email protected]

The painting Around Town may be found at https://jillbanks.com/workszoom/2511539

Join the adventure with her. Sign up for her monthly newsletter for her latest paintings, news, tales and fun.

You can also follow Jill on Facebook, her blog Life as an Artist and Instagram.

Plein Air Events
Telluride Plein Air
Sedona Plein Air (invitational)
Bucks County Plein Air
Richmond Plein Air
En Plein Air Texas
Long Beach Island Plein Air Plus (NJ)

Recent Awards and Recognition
Artist to Watch, Southwest Art Magazine July 2017
Best in Show, BoldBrush Painting Competition September 2016 (out of 1400+ entries)
Best in Show – Board of Directors Award, Catharine Lorillard Wolfe Art Club Member Exhibition, Salmagundi Club, NYC
Top 9 Painting and Drawing Teachers in Metro DC area
Monthly Finalist, January 2017 Sedona Art Prize Competition

Featured Artwork: John Joseph Hunn

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DREAMER
17 x 12 in. panel
oil, palladium leaf, and 23K gold Leaf on panel
$4,500

John Joseph Hunn
CONTEMPORARY GOTHIC PAINTINGS

John Joseph Hunn’s work is part of the permanent collections of both the MEAM Museum in Barcelona, Spain and the Howard Tullman collection in Chicago, Illinois. Finalist in the
ARC Salon Competitions 2014, 2016, and 2018.

CONTEMPORARY GOTHIC with the use of precious metals is a way to connect with the images of the past while maintaining a link to the present.

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