Robert Lange Studios is overjoyed to present a series of recent works by acclaimed painter Adam Hall this summer. As many venture out into the wilderness, Hall seeks to remind viewers that nature is untamable.
August will be an exciting month at Robert Lange Studios in Charleston, South Carolina, as the riveting exhibition “Untamed” opens — a solo display of recent works from renowned painter Adam Hall. Known for his landscapes, particularly his waterscapes, Hall “builds up his compositions using oil paint in multiple layers and various thicknesses to compose unique interpretations in paint,” the gallery writes.

Adam Hall, “Waking Up,” oil, 36 x 36 in. (c) Robert Lange Studios 2016

Speaking on the theme of “Untamed,” Hall suggested, “The body of work in its entirety creates a space for wonder, contemplation, and hopefully may ignite a spark of inspiration in someone. The theme ‘Untamed’ came from a simple thought of how nature is untamable, it is ever changing, cannot be controlled, and is unpredictable. It then took a transition into the idea of how life can have a way of taming us or domesticating us to a fault sometimes. Really, if I’m honest I’ve felt that a lot over the past few years. I’ve had to be very intentional to find time for myself and discover healthy routines to keep my dreams and adventurous spirit alive.”
“Untamed” opens on August 5 and will be on view through August 26. To learn more, visit Robert Lange Studios.
This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.


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