Cool, crisp air, the outdoors, friendship, companionship, and the great chase are all driving forces for individuals who love hunting and camping. Combined with the skillful brush of Luke Frazier, the results cannot be categorized as anything but beautiful.
Among a host of outstanding solo exhibitions at Legacy Gallery’s Jackson Hole and Bozeman locations — including the works of Dan Metz, Gary Lynn Roberts, and William Alther — is Luke Frazier’s latest display of mastery in oil. A self-proclaimed wildlife and sporting artist, Frazier has established himself as one of the nation’s foremost painters.

Luke Frazier, “Defiance,” oil, 30 x 30 in. (c) Legacy Gallery 2016

Opening September 9 and running through September 18 at Legacy’s Jackson Hole location, Frazier will present 10 stunning new works that will undoubtedly generate interest from fine art collectors and connoisseurs. Among the new works are a number of familiar subjects, including lush portraits of hunting dogs, fly fishers knee-high in a stream, a picture-perfect elk, and eager duck hunters.

Luke Frazier, “The Witching Hour,” oil, 24 x 30 in. (c) Legacy Gallery 2016

As many have noted before, particularly noteworthy is Frazier’s palette. No matter the subject, the artist skillfully uses a diverse range of hues in his construction of a composition. Also lovely is the play between the artist’s tight and expressive brushwork, making each work a joyful journey of texture, color, light, and shadow.
To learn more, visit Legacy Gallery.
This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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Andrew Webster
Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.


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