Only days remain before New York City plays host to a monumental fine art and antiques fair, featuring hundreds of exhibitors and delicious treasures that could be your next favorite acquisition.
Opening Wednesday, November 9 at New York City’s Pier 94 with a preview party is the New York Art, Antique & Jewelry Show. Held over a four-day period through November 13, the fair is part of an expansion by the Palm Beach Show Group. Taking place in the 100,000-plus-square-foot Pier 94, this year’s event will feature more than a billion dollars in treasures from over 100 national and international exhibitors.

Paintings line the walls of one gallery’s booth during the 2014 edition of the
New York Art, Antique & Jewelry Show, (c) 2016

Via the event website, “Boasting an enviable selection of more than 30,000 items, the show promises to draw tens of thousands of private collectors, museum curators, art advisors and interior designers who are eager to view and purchase the unique, the rare and the one-of-a-kind. Guests will have the opportunity to view and purchase fine art from across a broad spectrum of Old Masters, German Expressionist, 18th and 19th century European, American Regionalist, Modern and Contemporary artists.”
Many of the nation’s top galleries will be on hand during the event, showcasing the full spectrum of mediums, styles, techniques, and — of course — the infinite variety of creative expression. Tickets for all of the events are still available, including exclusive VIP options, which can be purchased here.
To learn more, visit the New York Art, Antique & Jewelry Show.
This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.


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