All three museums were founded by private collectors and occupy intimately scaled buildings of national historic prominence.

Three prestigious New York institutions are pleased to be introducing a limited-time ticket that provides admission to each. Details here!

The Frick Collection, the Morgan Library & Museum, and Neue Galerie in New York have come together to offer art lovers the Connoisseur Pass. The ticket costs $40 and will provide admission into all three institutions. However, this offer is only valid July 1 through August 31. The tickets can be purchased on-site only and are not available online.

During July and August, the three museums are presenting a range of exhibitions that offer something for everyone. On view at the Frick Collection are “Fired by Passion: Masterpieces of Du Paquier Porcelain from the Sullivan Collection,” “Divine Encounter: Rembrandt’s Abraham and the Angels,” and “The Pursuit of Immortality: Masterpieces from the Scher Collection of Portrait Medals.” At the Morgan Library & Museum, visitors can view “Henry James and American Painting,” “This Ever New Self: Thoreau and His Journal,” “Noah’s Beasts: Sculpted Animals from Ancient Mesopotamia,” and “Poussin, Claude, and French Drawing in the Classical Age.” Neue Galerie New York presents “Austrian Masterworks from the Neue Galerie New York” and “Richard Gerstl.”

Don’t let this great opportunity pass you by!

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Previous articleDoor County Luminance
Next articleFeatured Lot: A Classic Bouquet
Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.


Please enter your comment!
Please enter your name here