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Featured Artwork: Christine Debrosky

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Aspen Dance 24 x 30 in. Pastel on archival surface Available through the artist In frequent exploration of NY State’s woods, streams and riverbanks, Christine Debrosky has always...
Meredith Marsone, “Loveloss – Surrender,” 2018, oil on board, 19.7 x 15.7 in.

Disrupted Realism: Paintings for a Distracted World

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“What I have come to realize,” says author John Seed, “is that the diverse forms of disrupted realism have to do with everything in each artist’s life: the real, the remembered, the digital, the imagined, and the dreamed, all filtered through the artist’s perceptions.”
Ludovico Carracci drawing - “St. Luke”

November 5 Auction: Old Master Drawings

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This auction traces the development of draftsmanship over several centuries from late-Gothic, early-Renaissance works of the 15th century, to Baroque and Rococo drawings of the 17th and 18th centuries.
Manet paintings - Boating

Manet and Modern Beauty

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On view at the Getty, this exhibition explores Manet’s last years, after his rise to notoriety in the 1860s and the formal launch of the Impressionist movement in the early 1870s.

Pen and Paint: The Art of Gary Simmons and Richard Stephens

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Forty-five years of creativity and friendship have linked the names of Simmons and Stephens into one entity.

38th Annual Buffalo Bill Art Show Results

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More than $1,023,000 worth of art was sold when the gavel dropped on the last art piece during the 38th annual Buffalo Bill Art Show and Sale. View the award-winning paintings here.

Featured Artwork: Marcia Holmes

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OASIS Oil on Canvas 60 x 60 $9,500 Available through Degas Gallery, New Orleans, Louisiana Marcia states “I am always drawn to water, my personal OASIS! While teaching in...
Terry Cooke Hall, “Tail Lights,” oil, 48 x 48 in.

38th Annual Buffalo Bill Art Show & Sale

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Preview this annual Western art show and learn about the main events here.
Contemporary art - Grace Flott - FineArtConnoisseur.com

Grace Athena Flott: Still I Rise

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After being severely injured in a fire, Grace turned to creating realist, figurative art as a way of both healing and telling her story.

In New York: Whistler as Printmaker

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The collection was formed over five decades by Mrs. Kosovsky, with the support of her husband, Dr. Harry Kosovsky, and includes 27 etchings, 14 lithographs, and one pastel, which range from Whistler’s early etchings of the late 1850s to lithographs of the late 1890s.

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