For its 11th year, Manifest Gallery is calling for entries into its “Juried Exhibition-in-Print,” with submissions needed by December 31.
Cincinnati-based fine art gallery Manifest is calling on artists to submit their drawings into their 11th International Drawing Annual, selections of which will appear in a much anticipated publication.  In addition to having your work printed in the book, cash prizes include $1200 for ‘First Prize.’ 
Manifest writes, “As this is a BOOK project, works that are not otherwise available (i.e. physically) may still be submitted for consideration.  All that is required of accepted artists is a print-quality hi-resolution digital image of accepted works.  All included artists receive a complimentary copy of the finished book.
“The award-winning International Drawing Annual (INDA), which was launched in 2005, is an extension and merging of Manifest’s nonprofit Educational Drawing Center Studio, Press, and Gallery programs. Its goal is to support the recognition, documentation, and publication of excellent, current, and relevant works of drawing of all kinds from around the world, and to do so while maintaining a deliberately non-commercial platform.

“Submissions are expected to vary, including a range of drawing types, from the most academic to the most experimental, but all with some relevance to the artists’ honest understanding of the practice of ‘drawing.’

Open to any media applicable to the practice of drawing including but by no means limited to traditional drawing media. Printmaking, digital/new media, photography, sculpture, painting, installation, etc., are all possibly valid.”

To learn more, visit Manifest Gallery.

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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.


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