Activist and wildlife artist Patricia Traub is overjoyed to present her first solo exhibition in New York at Gallery Henoch this month. Majestic and statuesque, her subjects are sure to invite discussion on multiple fronts.

On view through November 26, “Animal Empathy” is politically provocative and artistically profound. Featuring 14 paintings by acclaimed painter Patricia Traub, the exhibition delves into the controversial realm of animal cruelty, conservation, and so much more.

Patricia Traub, “A Pair of Buffalo Weavers,” oil on panel, 12 x 12 in. (c) Gallery Henoch 2016
Patricia Traub, “A Pair of Buffalo Weavers,” oil on panel, 12 x 12 in. (c) Gallery Henoch 2016
Patricia Traub, “Lineback Cow,” oil on panel, 12 x 12 in. (c) Gallery Henoch 2016
Patricia Traub, “Lineback Cow,” oil on panel, 12 x 12 in. (c) Gallery Henoch 2016

Via the gallery release, “Traub’s empathy and activism coalesce in closely studied wildlife vignettes. She depicts mostly mammals and birds, standing before the viewer in resolute posture against the deep soot of the universe. Traub effortlessly ‘humanizes’ her subjects, conveying the individual, its fur, feathers, gesture and weight, that carry the signs of a distinctive being. In doing so she draws out the consciousness of each Colobus Monkey or Buffalo Weaver, in compositions resembling a modern day Albrecht Dürer. To unpack the significance of each subject, Traub notes every animal has a specific petition, for example, the Rambouillet Ram is bred for its merino wool and is a cornerstone of the meat trade. By isolating the animals on sterile precipices of rectangular earth Traub places the animal on display. This reinforces our shared human jurisdiction over their stewardship while avoiding maudlin bromides.”

Patricia Traub, “Watching Over Them,” oil on panel, 10 1/2 x 12 in. (c) Gallery Henoch 2016
Patricia Traub, “Watching Over Them,” oil on panel, 10 1/2 x 12 in. (c) Gallery Henoch 2016

To learn more, visit Gallery Henoch.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.


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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.

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